Details
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Lithograph printed on Rives BFK wove paper - Hand-signed // Ellsworth Kelly's Mallarmé Suite: Blue (1992) is a minimalist lithograph that explores the power of color and form. The print features a large, unbroken expanse of deep blue against a white background, creating a serene and bold visual statement. The geometric simplicity and the clear division of space highlight Kelly’s focus on pure abstraction, inviting the viewer to contemplate the interplay between shape, color, and negative space. Printed on Rives BFK wove paper, the texture subtly enhances the depth and richness of the blue hue. The piece is hand-signed, marking its authenticity as part of Kelly's limited edition series, making it a valued collectible.
Mallarmé Suite: Blue, 1992
form
Medium
Size
73.7 x 54.6 cm
- Inches
- Centimeters
Edition
Price
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Details
Artist
Styles
Lithograph printed on Rives BFK wove paper - Hand-signed // Ellsworth Kelly's Mallarmé Suite: Blue (1992) is a minimalist lithograph that explores the power of color and form. The print features a large, unbroken expanse of deep blue against a white background, creating a serene and bold visual statement. The geometric simplicity and the clear division of space highlight Kelly’s focus on pure abstraction, inviting the viewer to contemplate the interplay between shape, color, and negative space. Printed on Rives BFK wove paper, the texture subtly enhances the depth and richness of the blue hue. The piece is hand-signed, marking its authenticity as part of Kelly's limited edition series, making it a valued collectible.
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Mixed Media
Inquire For Price
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Ellsworth Kelly
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Limited Edition Print
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Lithograph
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Ellsworth Kelly
Orange And Blue Over Yellow, 1964-65
Limited Edition Print
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Ellsworth Kelly
Canigou - From The Third Curve Series, 1973-1976
Limited Edition Print
Lithograph
USD 6,600
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
