Details
Artist
Styles
5-Color Screenprint on Sandpaper. Note (2018) by Ed Ruscha is a five-color screenprint on sandpaper, depicting a bold musical note partially dissolving into horizontal smudges. Ruscha, known for his conceptual and text-based works, playfully contrasts the visual clarity of the note with the abrasive, unconventional surface. The use of sandpaper introduces a tactile tension, suggesting themes of impermanence, disruption, or distortion of sound and meaning. This small yet impactful edition of 85 captures Ruscha’s signature blend of pop sensibility and material experimentation.
Note, 2018
form
Medium
Size
22.9 x 27.9 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
5-Color Screenprint on Sandpaper. Note (2018) by Ed Ruscha is a five-color screenprint on sandpaper, depicting a bold musical note partially dissolving into horizontal smudges. Ruscha, known for his conceptual and text-based works, playfully contrasts the visual clarity of the note with the abrasive, unconventional surface. The use of sandpaper introduces a tactile tension, suggesting themes of impermanence, disruption, or distortion of sound and meaning. This small yet impactful edition of 85 captures Ruscha’s signature blend of pop sensibility and material experimentation.
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Ed Ruscha
Wen Out For Cigrets N Never Came Back, 2017
Sculpture / Object
Bronze
USD 150,000 - 170,000
Ed Ruscha
Cash For Tolls 1 (from Rusty Signs), 2014
Limited Edition Print
Mixed Media
USD 20,000 - 25,000
Ed Ruscha
Cash For Tolls 2 (from Rusty Signs), 2014
Limited Edition Print
Mixed Media
USD 20,000 - 25,000
Ed Ruscha
Dead End II (from Rusty Signs), 2014
Limited Edition Print
Mixed Media
USD 20,000 - 25,000
Ed Ruscha
Dead End III (from Rusty Signs), 2014
Limited Edition Print
Mixed Media
USD 20,000 - 25,000
Ed Ruscha
For Sale 17 Acres (from Rusty Signs), 2014
Limited Edition Print
Mixed Media
USD 20,000 - 25,000
What is New Topographics?
New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscapes, emphasizing the beauty in everyday, man-made environments.
