
Details
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Styles
Screenprint in Colors on Hollingsworth Rag - Published by Bernard Jacobson Ltd London - Hand Signed and numbered by Ruscha // Ed Ruscha's I'm Amazed (1971) is a silkscreen print that exemplifies his minimalist and text-based approach to art. The composition is covered with a pattern of scattered, small green marks against a neutral background, creating a visual texture reminiscent of an abstract swarm or constellation. The subtle arrangement of the tiny shapes gives a sense of movement and depth. The title, I'm Amazed, seems to contrast with the visual simplicity, inviting viewers to interpret its meaning in relation to the image. This limited edition print is executed on Hollingsworth Rag paper, hand-signed, and numbered by Ruscha, and published by Bernard Jacobson Ltd in London, confirming its authenticity and collectibility.
Im Amazed, 1971
form
Medium
Size
101.1 x 151.8 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Screenprint in Colors on Hollingsworth Rag - Published by Bernard Jacobson Ltd London - Hand Signed and numbered by Ruscha // Ed Ruscha's I'm Amazed (1971) is a silkscreen print that exemplifies his minimalist and text-based approach to art. The composition is covered with a pattern of scattered, small green marks against a neutral background, creating a visual texture reminiscent of an abstract swarm or constellation. The subtle arrangement of the tiny shapes gives a sense of movement and depth. The title, I'm Amazed, seems to contrast with the visual simplicity, inviting viewers to interpret its meaning in relation to the image. This limited edition print is executed on Hollingsworth Rag paper, hand-signed, and numbered by Ruscha, and published by Bernard Jacobson Ltd in London, confirming its authenticity and collectibility.
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What is New Topographics?
New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscapes, emphasizing the beauty in everyday, man-made environments.