Sam Francis

Untitled, 1984

106.7 X 73 inch

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Here and Now

Ed Ruscha’s Pick, Pan, Shovel, 1980 lithograph, depicts crossed mining tools (pick, pan, shovel) against an ochre background, symbolizing labor and discovery.

Original lithograph in colors on Arches paper - Hand-signed, dated, and numbered in pencil - Published by Cirrus Editions and the Graphic Arts Council of Los Angeles County Museum of Art - Literature: E.107 // Pick, Pan, Shovel by Ed Ruscha, created in 1980, is a limited edition lithograph that features a minimal yet symbolic arrangement of three tools— a pick, a pan, and a shovel—crossed over one another. The tools are rendered in neutral tones, placed against a background that transitions from ochre at the top to a lighter shade at the bottom. The stark contrast between the objects and the background draws attention to the tools' placement and significance, hinting at themes related to labor, discovery, and the American frontier, possibly referencing gold mining. Ruscha’s distinct style, which often incorporates iconic American symbols, is evident in this composition. The lithograph, printed on Arches paper, is hand-signed, dated, and numbered by the artist, published in an edition of 100 by Cirrus Editions and the Graphic Arts Council of the Los Angeles County Museum of Art.

Artwork Copyright © Ed Ruscha

Pick, Pan, Shovel, 1980

form

Medium

Edition

Original lithograph in colors on Arches paper - Hand-signed, dated, and numbered in pencil - Published by Cirrus Editions and the Graphic Arts Council of Los Angeles County Museum of Art - Literature: E.107 // Pick, Pan, Shovel by Ed Ruscha, created in 1980, is a limited edition lithograph that features a minimal yet symbolic arrangement of three tools— a pick, a pan, and a shovel—crossed over one another. The tools are rendered in neutral tones, placed against a background that transitions from ochre at the top to a lighter shade at the bottom. The stark contrast between the objects and the background draws attention to the tools' placement and significance, hinting at themes related to labor, discovery, and the American frontier, possibly referencing gold mining. Ruscha’s distinct style, which often incorporates iconic American symbols, is evident in this composition. The lithograph, printed on Arches paper, is hand-signed, dated, and numbered by the artist, published in an edition of 100 by Cirrus Editions and the Graphic Arts Council of the Los Angeles County Museum of Art.

Artwork Copyright © Ed Ruscha

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What is New Topographics?

New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscapes, emphasizing the beauty in everyday, man-made environments.

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