Sam Francis

Untitled, 1984

106.7 X 73 inch

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Dead End III (from Rusty Signs)

Ed Ruscha's Dead End II, 2014 mixographia print, mimics a rusted street sign with bold block letters spelling DEAD END, emphasizing texture and decay.

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Artist

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Mixographia print on handmade paper // Dead End II (from Rusty Signs) by Ed Ruscha, created in 2014, is part of his Rusty Signs series and is a mixographia print on handmade paper. The piece mimics the texture and look of a corroded metal sign, with the bold text DEAD END prominently displayed in embossed, block-style letters. The rusty, weathered surface enhances the piece’s rugged aesthetic, giving it an aged and industrial feel that evokes the appearance of an abandoned street sign. The distressed, tactile quality of the work reflects Ruscha’s interest in transforming ordinary, utilitarian objects into pieces of art that challenge perceptions of language and commercial iconography. Limited to 50 editions with 10 artist’s proofs, this print highlights Ruscha’s ability to explore themes of time, decay, and the power of simple phrases through a unique blend of text and material.

Artwork Copyright © Ed Ruscha

Ed Ruscha

Dead End II (from Rusty Signs), 2014

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61 x 61   cm
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Details

Artist

Styles

Mixographia print on handmade paper // Dead End II (from Rusty Signs) by Ed Ruscha, created in 2014, is part of his Rusty Signs series and is a mixographia print on handmade paper. The piece mimics the texture and look of a corroded metal sign, with the bold text DEAD END prominently displayed in embossed, block-style letters. The rusty, weathered surface enhances the piece’s rugged aesthetic, giving it an aged and industrial feel that evokes the appearance of an abandoned street sign. The distressed, tactile quality of the work reflects Ruscha’s interest in transforming ordinary, utilitarian objects into pieces of art that challenge perceptions of language and commercial iconography. Limited to 50 editions with 10 artist’s proofs, this print highlights Ruscha’s ability to explore themes of time, decay, and the power of simple phrases through a unique blend of text and material.

Artwork Copyright © Ed Ruscha
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Ed RUSCHA | Zoot Soot | Mixed Media available for sale on composition gallery

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Ed Ruscha Sea of Desire lithograph with orange gradient, black diagonal bars, and faint text overlay in geometric font

Ed Ruscha

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Limited Edition Print

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Ed Ruscha Note screenprint on sandpaper showing a dissolving black musical note with textured smudge effect to the right.

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Note, 2018

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Ed RUSCHA | Main Street | Minimalist Lithograph

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Main Street, 1990

Limited Edition Print

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Ed Ruscha Gal Chews Same Piece of Gum bronze sculpture with stenciled text and dark patina on rectangular base.

Ed Ruscha

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Ed Ruscha Sunliner #7 etching with photorealistic glass of water on a textured dark gray striated background.

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USD 4,500

Ed Ruscha Sin – Without lithograph showing word SIN over black-and-white cloudscape with dramatic lighting and contrast

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Ed Ruscha's GOD, 2010 LightJet digital photograph, metallic oval-shaped form with smooth surface, signed edition of 50.

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Limited Edition Print

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Ed Ruscha's Castiron Calendar print, white industrial-style text on sepia background with stenciled, weathered effect.

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Ed Ruscha's Cash for Tolls 1, 2014 mixographia print, features rust-textured surface with bold text in block letters, mimicking a corroded metal sign.

Ed Ruscha

Cash For Tolls 1 (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha's Cash for Tolls 2, 2014 mixographia print, mimics a rusted metal sign with bold text reading CASH FOR TOOLS embossed in block letters.

Ed Ruscha

Cash For Tolls 2 (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha's Dead End II, 2014 mixographia print, mimics a rusted street sign with bold block letters spelling DEAD END, emphasizing texture and decay.

Ed Ruscha

Dead End II (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha's Dead End III, 2014 mixographia print, simulates a rusted metal sign with bold block letters spelling DEAD END and textured, weathered surface details.

Ed Ruscha

Dead End III (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha's For Sale 17 Acres, 2014 mixographia print, depicts a rusted metal sign with bold text reading FOR SALE 17 ACRES embossed on a textured surface.

Ed Ruscha

For Sale 17 Acres (from Rusty Signs), 2014

Limited Edition Print

Mixed Media

USD 20,000 - 25,000

Ed Ruscha's Sin, lithograph, abstract folded forms and cylinder shapes on gradient background with small red and green sphere.

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Sin, 1970

Limited Edition Print

Lithograph

USD 20,000 - 30,000

Ed Ruscha, Rubber Bands (State II), lithograph with blue text on buff background, hazy font reading RUBBER BANDS STRETCH REAL FAR UNTIL THEY DON'T.

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Rubber Bands (State II), 2017

Limited Edition Print

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USD 12,000

Ed Ruscha's Mysteries, 2021, lithograph featuring bold white text on a red sky background with overlapping yellow and blue text for depth.

Ed Ruscha

Mysteries, 2021

Limited Edition Print

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USD 60,000 - 80,000

Ed Ruscha Ex Libris lithograph, bold white text framed by ornate black design on a red-to-blue gradient background.

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Ex Libris, 2018

Limited Edition Print

Lithograph

USD 6,100

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What is New Topographics?
Artwork by Bernd & Hilla Becher

What is New Topographics?

New Topographics is a term coined in 1975 by curator William Jenkins to describe a group of photographers whose work focused on formal black-and-white images of urban and industrial landscapes. Jenkins initially described their aesthetic as banal, but the photographers themselves argued that their compositions were as significant as those of natural landscapes, emphasizing the beauty in everyday, man-made environments.

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