Details
Artist
Styles
Lithograph in colours, on BFK Rives paper. Signed, dated, and numbered Published by The Paris Review, New York. Literature: Walker Art Center/Siri Engberg 213. Ed Ruscha’s Anchor in the Sand (Paris Review) is a 1991 color lithograph on BFK Rives paper that distills his fascination with language, atmosphere, and cinematic framing. A dark, softly blurred silhouette of an anchor stretches across a warm, grainy ground resembling sand or sky at dusk. Along the edges, the word PARIS REVIEW is spaced vertically, subtly framing the image. Published by The Paris Review in New York in an edition of 100 plus 15 artist’s proofs, the work evokes both maritime symbolism and literary context. The hazy rendering suggests memory or impermanence, turning a solid object into something fleeting and poetic.
Anchor in the Sand (Paris Review), 1991
form
Medium
Size
53.3 x 81.3 cm
- Inches
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Edition
Price
- USD
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Details
Artist
Styles
Lithograph in colours, on BFK Rives paper. Signed, dated, and numbered Published by The Paris Review, New York. Literature: Walker Art Center/Siri Engberg 213. Ed Ruscha’s Anchor in the Sand (Paris Review) is a 1991 color lithograph on BFK Rives paper that distills his fascination with language, atmosphere, and cinematic framing. A dark, softly blurred silhouette of an anchor stretches across a warm, grainy ground resembling sand or sky at dusk. Along the edges, the word PARIS REVIEW is spaced vertically, subtly framing the image. Published by The Paris Review in New York in an edition of 100 plus 15 artist’s proofs, the work evokes both maritime symbolism and literary context. The hazy rendering suggests memory or impermanence, turning a solid object into something fleeting and poetic.
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.
