Untitled C by Daniel Richter is a 2016-2017 silkscreen print that combines elements of classical sculpture with contemporary intervention, creating a striking and layered composition. The artwork features a black-and-white image of intricate, medieval-style figures—likely inspired by classical reliefs or mythological depictions—rendered in high contrast. At the center, a hand holding a lighter appears in vivid color, with the flame casting a warm glow onto the figures, as if illuminating them in a dark, mysterious setting. This juxtaposition of ancient and modern imagery invites viewers to consider the themes of destruction, illumination, and revelation. The lighter’s flame suggests both an act of curiosity and a sense of danger, as if the past is being scrutinized or perhaps even threatened. Richter’s piece explores the dialogue between history and the present, provoking thoughts on the power of interpretation, intervention, and the often contentious relationship with historical narratives.
Daniel Richter (Germany, 1962) is a contemporary artist recognized for his dynamic and colorful large-scale paintings. His work often blends abstract and figurative elements, addressing themes of history, politics, and pop culture. A leading figure in modern German art, his pieces are featured in major international museums and collections.
SilkscreenSilkscreen is a printmaking method that uses a screen made of silk or other mesh fabric. The screen is treated with a substance that blocks ink in certain areas, allowing ink to pass through only in the desired sections. Each color in the print requires a separate screen.
Size
Inches
Centimeters
125 X 95 cm
Edition
Edition of 12
Price
4,500 – 7,000 EUR
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●Inventory 3956
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Untitled C by Daniel Richter is a 2016-2017 silkscreen print that combines elements of classical sculpture with contemporary intervention, creating a striking and layered composition. The artwork features a black-and-white image of intricate, medieval-style figures—likely inspired by classical reliefs or mythological depictions—rendered in high contrast. At the center, a hand holding a lighter appears in vivid color, with the flame casting a warm glow onto the figures, as if illuminating them in a dark, mysterious setting. This juxtaposition of ancient and modern imagery invites viewers to consider the themes of destruction, illumination, and revelation. The lighter’s flame suggests both an act of curiosity and a sense of danger, as if the past is being scrutinized or perhaps even threatened. Richter’s piece explores the dialogue between history and the present, provoking thoughts on the power of interpretation, intervention, and the often contentious relationship with historical narratives.
Daniel Richter (Germany, 1962) is a contemporary artist recognized for his dynamic and colorful large-scale paintings. His work often blends abstract and figurative elements, addressing themes of history, politics, and pop culture. A leading figure in modern German art, his pieces are featured in major international museums and collections.
The more you know about the historical or ecological background of images, the more you can interpret, but it's not necessarily the truth about it.
- Daniel Richter
Daniel Richter attended Hochschule für bildende Künste Hamburg in the early nineties, and during the time he spent at University he studied with Werner Buttner and Martin Kippenberger. Richter was part of the resurgence of demonstrative painting during the 1980s. He was a professor of art (painting) at Universität der Künste, Germany in the middle of of the 2000's. Now he teaches at Akademie der bildenden Künste, Vienna. Daniel Richter initially focused on abstract painting, which were extremely colorful and was must like graffiti art. He has been creating large scale scenes which have been inspired by newspapers and books since 2002. Although Daniel Richter's work has appeared in countless exhibitions world wide, some of his best known work has been his set designs for 'Bluebeard's Castle' and for 'Lulu' at the Salzburg Festival. His collections can be found at the Museum of Modern Art in New York City, The Centre Pompidou in Paris, the Boros assemblage in Germany and the Falckenberg Display in Hamburg.
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.