
Color hardground etching on Somerset Velvet White paper.
'Etching for Obama from the Artist for Obama Portfolio' by Brice Marden is an etching produced in 2008, hand-signed and numbered from a limited edition. The plate is filled edge to edge with dense, overlapping black lines — looping, crossing, and recurving at varying angles — leaving only irregular pinpricks of white paper visible beneath. The mark-making reads as energetic and accumulative rather than gestural in the expressionist sense: each line belongs to a continuous web rather than a single decisive stroke. Marden, who spent the 1960s and 1970s building monochromatic surfaces through layered oil and beeswax, shifted in later decades toward complex, calligraphic line structures, and this etching extends that trajectory into the print medium. Created for the 'Artists for Obama' portfolio during the 2008 US presidential campaign, it channels Marden's commitment to abstraction as a serious pictorial language.
Etching for Obama from the Artist for Obama Portfolio, 2008
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Color hardground etching on Somerset Velvet White paper.
'Etching for Obama from the Artist for Obama Portfolio' by Brice Marden is an etching produced in 2008, hand-signed and numbered from a limited edition. The plate is filled edge to edge with dense, overlapping black lines — looping, crossing, and recurving at varying angles — leaving only irregular pinpricks of white paper visible beneath. The mark-making reads as energetic and accumulative rather than gestural in the expressionist sense: each line belongs to a continuous web rather than a single decisive stroke. Marden, who spent the 1960s and 1970s building monochromatic surfaces through layered oil and beeswax, shifted in later decades toward complex, calligraphic line structures, and this etching extends that trajectory into the print medium. Created for the 'Artists for Obama' portfolio during the 2008 US presidential campaign, it channels Marden's commitment to abstraction as a serious pictorial language.
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.

Brice Marden
Etching for Obama from the Artist for Obama Portfolio, 2008
35.56 x 30.48 cm










