Sam Francis

Untitled, 1984

106.7 X 73 inch

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Hands

Antony Gormley, Matrix X, 2016, aquatint with layered dark geometric forms on white background, evoking depth and density.

Aquatint from multiple plates on Fabriano Tiepolo Bianco 290 gsm paper // Matrix X by Antony Gormley, created in 2016, is a limited edition aquatint print that embodies minimalism and geometric abstraction. Using multiple plates, Gormley has layered semi-transparent shapes to create an intricate play of depth and density. The dark overlapping forms, set against the clean background of Fabriano Tiepolo Bianco paper, create a sense of volume within the flat plane, resembling an abstracted architectural structure or a densely stacked form. This piece exemplifies Gormley’s exploration of space and form, inviting viewers to consider the boundaries between presence and absence, solidity and void.

Artwork Copyright © Antony Gormley

Matrix X, 2016

form

Medium

Edition

Aquatint from multiple plates on Fabriano Tiepolo Bianco 290 gsm paper // Matrix X by Antony Gormley, created in 2016, is a limited edition aquatint print that embodies minimalism and geometric abstraction. Using multiple plates, Gormley has layered semi-transparent shapes to create an intricate play of depth and density. The dark overlapping forms, set against the clean background of Fabriano Tiepolo Bianco paper, create a sense of volume within the flat plane, resembling an abstracted architectural structure or a densely stacked form. This piece exemplifies Gormley’s exploration of space and form, inviting viewers to consider the boundaries between presence and absence, solidity and void.

Artwork Copyright © Antony Gormley

Antony Gormley

Hands, 2005

Limited Edition Print

Lithograph

GBP 1,550

Antony Gormley

Free, 2019

Limited Edition Print

Lithograph

Currently Not Available

Antony Gormley

Matrix X, 2016

Limited Edition Print

Aquatint

Currently Not Available

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What is new British Sculpture?

New British Sculpture is the name referring to the work produced by a group of sculptors, installation artists, and other creators who exhibited together in London during the 1980s. This group included artists like Richard Deacon, Richard Wentworth, and Tony Cragg. Tim Woods helped define this movement by identifying four major themes: the blending of kitsch and pop culture, the use of UK urban waste in a bricolage style, the assignment of new meanings to everyday objects, and a playful approach using wit and humor.

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