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Hand Signed on an authenticity certificate, each signed with certificate by artists; issued by Plinth and Ikon Gallery who commissioned the work // STOP by Cornelia Parker, a 2015 metalcut piece, is a minimalist sculpture that commands attention through its simplicity and boldness. The artwork consists of the word STOP in raised, bold letters against a sleek, black rectangular background. By isolating this universally recognizable word, Parker transforms a familiar command into an object of contemplation, inviting viewers to reflect on the nature of control, limits, and pauses in daily life. The choice of monochromatic tones and clean lines emphasizes the word’s power, making it both an art object and a statement piece.
STOP, 2015
form
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48 x 28 X 0.8 cm
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Details
Artist
Styles
Hand Signed on an authenticity certificate, each signed with certificate by artists; issued by Plinth and Ikon Gallery who commissioned the work // STOP by Cornelia Parker, a 2015 metalcut piece, is a minimalist sculpture that commands attention through its simplicity and boldness. The artwork consists of the word STOP in raised, bold letters against a sleek, black rectangular background. By isolating this universally recognizable word, Parker transforms a familiar command into an object of contemplation, inviting viewers to reflect on the nature of control, limits, and pauses in daily life. The choice of monochromatic tones and clean lines emphasizes the word’s power, making it both an art object and a statement piece.
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Cornelia Parker
STOP, 2015
Sculpture / Object
Metalcut
GBP 1,200
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What is minimalism?
Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.
