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Color etching and aquatint with carborundum // Roig I Negre 2 by Antoni Tàpies, created in 1985, is a powerful mixed media work combining color etching, aquatint, and carborundum. The piece, part of a limited edition of 99 plus 15 artist’s proofs (HC), showcases Tàpies' signature abstract expressionist style. The composition features bold black and red gestural forms that dominate the space, layered over a textured, rough background. The swirling and sharp brushstrokes create a dynamic contrast between the deep black and earthy red, evoking a sense of movement and energy. The carborundum technique enhances the texture, giving the surface a tactile, almost sculptural quality, characteristic of Tàpies' work. The piece reflects his interest in materiality and the physicality of the painting process, transforming simple colors into a rich and evocative visual experience.
Roig I negre 2, 1985
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95 x 125 cm
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Details
Artist
Styles
Color etching and aquatint with carborundum // Roig I Negre 2 by Antoni Tàpies, created in 1985, is a powerful mixed media work combining color etching, aquatint, and carborundum. The piece, part of a limited edition of 99 plus 15 artist’s proofs (HC), showcases Tàpies' signature abstract expressionist style. The composition features bold black and red gestural forms that dominate the space, layered over a textured, rough background. The swirling and sharp brushstrokes create a dynamic contrast between the deep black and earthy red, evoking a sense of movement and energy. The carborundum technique enhances the texture, giving the surface a tactile, almost sculptural quality, characteristic of Tàpies' work. The piece reflects his interest in materiality and the physicality of the painting process, transforming simple colors into a rich and evocative visual experience.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is Arte Povera?
A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.
