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Lithograph on Guarro paper - Signed and numbered in pencil - Literature : Galfetti 732 // Antoni Tàpies’ Poligrafa XV Anys (1980) is a lithograph on Guarro paper, combining elements of texture, abstraction, and gestural marks characteristic of the artist’s style. The composition centers around a dense, rectangular black form, layered with chaotic, calligraphic strokes that impart a sense of raw energy and movement. Above this, a bold, brush-like stroke of deep red arcs over the structure, introducing a dramatic contrast against the earthy background. Tàpies’ work often reflects his interest in the materiality of art and the expressive potential of marks and symbols, evoking themes of mystery and introspection. Signed and numbered, this piece exemplifies Tàpies’ influence in post-war Spanish art.
Poligrafa XV Anys , 1980
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37.5 x 27 cm
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Details
Artist
Styles
Lithograph on Guarro paper - Signed and numbered in pencil - Literature : Galfetti 732 // Antoni Tàpies’ Poligrafa XV Anys (1980) is a lithograph on Guarro paper, combining elements of texture, abstraction, and gestural marks characteristic of the artist’s style. The composition centers around a dense, rectangular black form, layered with chaotic, calligraphic strokes that impart a sense of raw energy and movement. Above this, a bold, brush-like stroke of deep red arcs over the structure, introducing a dramatic contrast against the earthy background. Tàpies’ work often reflects his interest in the materiality of art and the expressive potential of marks and symbols, evoking themes of mystery and introspection. Signed and numbered, this piece exemplifies Tàpies’ influence in post-war Spanish art.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
