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// Llambrec-3 by Antoni Tàpies is a lithograph created in 1975, exemplifying the artist’s exploration of texture, symbolism, and abstract forms. In this limited edition print, Tàpies uses a dark, rough rectangular form as the focal point, which appears as a chalkboard or a black void against the lighter background. Scattered across this dark field are hand-drawn numbers in white, giving the work a raw and cryptic quality. The numbers lack a clear sequence, evoking a sense of randomness or an abstract code. Tàpies' work often reflects themes of materiality, the passage of time, and the interplay between presence and absence. The simplicity of form combined with symbolic numeration invites viewers to ponder its meaning, tapping into both intellectual and emotional responses.
Llambrec-3 , 1975
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76 x 56 cm
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Details
Artist
Styles
// Llambrec-3 by Antoni Tàpies is a lithograph created in 1975, exemplifying the artist’s exploration of texture, symbolism, and abstract forms. In this limited edition print, Tàpies uses a dark, rough rectangular form as the focal point, which appears as a chalkboard or a black void against the lighter background. Scattered across this dark field are hand-drawn numbers in white, giving the work a raw and cryptic quality. The numbers lack a clear sequence, evoking a sense of randomness or an abstract code. Tàpies' work often reflects themes of materiality, the passage of time, and the interplay between presence and absence. The simplicity of form combined with symbolic numeration invites viewers to ponder its meaning, tapping into both intellectual and emotional responses.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
