Sam Francis

Untitled, 1984

106.7 X 73 inch

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Antoni Tàpies' Le Tableau etching with black rectangle, white stitch-like marks, and minimalistic high-contrast composition.

Paper: Mandeure's Chiffon; plate size: 34'5 x 50 cm.; artwork size: 57'5 x 77'7 cm. - In perfect condition - Published by Maeght, Paris. Cataloging number: 229. Listed on page 138 of Tàpies. Graphic work; 1947-1972. Editorial Gustavo Gili. 1973. // Le Tableau by Antoni Tàpies, created in 1970, is an etching on Mandeure's Chiffon paper, produced in a limited edition of 75 copies and published by Maeght in Paris. This artwork centers on a small, rectangular black area within a larger white space, creating a striking contrast. In the black section, a series of white, stitch-like markings crisscross horizontally and diagonally, resembling sutures or scars. The simplicity of the composition, with its high contrast and restrained color palette, evokes themes of repair, resilience, and the passage of time. The texture and tactile quality of Tàpies' etched lines add depth, inviting viewers to interpret the markings as symbols of healing or fragmentation. Le Tableau is listed in Tàpies' catalog raisonné, underscoring its significance within his exploration of abstraction and symbolism.

Artwork Copyright © Antoni Tapies

Le Tableau, 1970

form

Medium

Edition

Paper: Mandeure's Chiffon; plate size: 34'5 x 50 cm.; artwork size: 57'5 x 77'7 cm. - In perfect condition - Published by Maeght, Paris. Cataloging number: 229. Listed on page 138 of Tàpies. Graphic work; 1947-1972. Editorial Gustavo Gili. 1973. // Le Tableau by Antoni Tàpies, created in 1970, is an etching on Mandeure's Chiffon paper, produced in a limited edition of 75 copies and published by Maeght in Paris. This artwork centers on a small, rectangular black area within a larger white space, creating a striking contrast. In the black section, a series of white, stitch-like markings crisscross horizontally and diagonally, resembling sutures or scars. The simplicity of the composition, with its high contrast and restrained color palette, evokes themes of repair, resilience, and the passage of time. The texture and tactile quality of Tàpies' etched lines add depth, inviting viewers to interpret the markings as symbols of healing or fragmentation. Le Tableau is listed in Tàpies' catalog raisonné, underscoring its significance within his exploration of abstraction and symbolism.

Artwork Copyright © Antoni Tapies

Antoni Tapies

A Damunt Vermell 1, 1976

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EUR 6,000

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Orella , 1971

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EUR 6,000

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Llambrec-1 , 1975

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EUR 1,500

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Paper Cremat , 1975

Limited Edition Print

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EUR 5,000

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Diana, 1973

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EUR 2,650

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Deux Pieds, 1997

Limited Edition Print

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EUR 2,100

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Neujahrskarte, 1983/84

Limited Edition Print

Lithograph

EUR 1,750

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Memoria Personal, 1988

Limited Edition Print

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EUR 2,800

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Clau 18, 1973

Limited Edition Print

Etching

EUR 3,700

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Roig I Negre I, 1985

Limited Edition Print

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EUR 11,900

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EUR 4,250

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Fora, 1976

Limited Edition Print

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EUR 5,450

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Quatre Rius De Sang, 1972

Limited Edition Print

Mixed Media

EUR 5,450

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Llambrec-11, 1975

Limited Edition Print

Lithograph

EUR 1,800

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Poems 5, 1974

Limited Edition Print

Lithograph

EUR 1,900

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Primer Congreso Nacional De Neuropedriatria, 1982

Limited Edition Print

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EUR 1,875

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Roig I Negre 2, 1985

Limited Edition Print

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EUR 12,950

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Limited Edition Print

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EUR 5,450

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EUR 5,450

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Limited Edition Print

Etching

EUR 7,450

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Pintura I

Limited Edition Print

Lithograph

EUR 2,600

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Limited Edition Print

Lithograph

EUR 4,250

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What is matter painting?

Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.

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