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// Antoni Tàpies' La cama (1975) is an etching that explores themes of human vulnerability, memory, and materiality. The artwork features a reclining form, partially abstracted, set against a dark, earthy background with textured details and rough, tactile surfaces. The composition includes symbolic elements such as a cross and abstract shapes, alluding to notions of pain, healing, and the passage of time. The muted palette and expressive marks contribute to a somber, contemplative atmosphere, inviting viewers to reflect on the fragility and resilience of the human condition, a recurring theme in Tàpies' work.
La cama, 1975
form
Medium
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56 x 76 cm
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Details
Artist
Styles
// Antoni Tàpies' La cama (1975) is an etching that explores themes of human vulnerability, memory, and materiality. The artwork features a reclining form, partially abstracted, set against a dark, earthy background with textured details and rough, tactile surfaces. The composition includes symbolic elements such as a cross and abstract shapes, alluding to notions of pain, healing, and the passage of time. The muted palette and expressive marks contribute to a somber, contemplative atmosphere, inviting viewers to reflect on the fragility and resilience of the human condition, a recurring theme in Tàpies' work.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
