Sam Francis

Untitled, 1984

106.7 X 73 inch

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Antoni Tàpies' Fregoli 1 lithograph with two dark shapes, gestural marks, and subtle splatters on a minimalist background.

Plate size: 35 x 45 cm.; artwork size: 56 x 76 cm. - In perfect condition - Published by Sala Gaspar, Barcelona. - Cataloging number: 212. Listed on page 127 of Tàpies. Graphic work; 1947-1972. Editorial Gustavo Gili. 1973. // Fregoli 1 by Antoni Tàpies, created in 1969, is a lithograph printed on paper, limited to 100 signed and numbered copies, with additional artist proofs. This artwork, published by Sala Gaspar in Barcelona, embodies Tàpies' distinctive abstract expression. The composition centers on two large, dark, rounded forms resembling stains or smudges, with wispy, gestural marks extending outward in a loose, organic arrangement. Surrounding the dark central forms are subtle lines and splatters, giving the piece a sense of movement and spontaneity. The minimalistic, almost ghostly imagery suggests themes of transformation or traces left behind, encouraging viewers to interpret the forms as imprints or memories. Fregoli 1 is cataloged in Tàpies' graphic work, marking its importance in his exploration of abstract symbols and textures.

Artwork Copyright © Antoni Tapies

Fregoli 1, 1969

form

Medium

Edition

Plate size: 35 x 45 cm.; artwork size: 56 x 76 cm. - In perfect condition - Published by Sala Gaspar, Barcelona. - Cataloging number: 212. Listed on page 127 of Tàpies. Graphic work; 1947-1972. Editorial Gustavo Gili. 1973. // Fregoli 1 by Antoni Tàpies, created in 1969, is a lithograph printed on paper, limited to 100 signed and numbered copies, with additional artist proofs. This artwork, published by Sala Gaspar in Barcelona, embodies Tàpies' distinctive abstract expression. The composition centers on two large, dark, rounded forms resembling stains or smudges, with wispy, gestural marks extending outward in a loose, organic arrangement. Surrounding the dark central forms are subtle lines and splatters, giving the piece a sense of movement and spontaneity. The minimalistic, almost ghostly imagery suggests themes of transformation or traces left behind, encouraging viewers to interpret the forms as imprints or memories. Fregoli 1 is cataloged in Tàpies' graphic work, marking its importance in his exploration of abstract symbols and textures.

Artwork Copyright © Antoni Tapies

Antoni Tapies

A Damunt Vermell 1, 1976

Limited Edition Print

Etching

EUR 3,700

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Limited Edition Print

Etching

EUR 6,000

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Mitjó , 1971

Limited Edition Print

Etching

EUR 6,000

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Orella , 1971

Limited Edition Print

Etching

EUR 6,000

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Llambrec-1 , 1975

Limited Edition Print

Lithograph

EUR 1,500

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Paper Cremat , 1975

Limited Edition Print

Etching

EUR 5,000

Antoni Tapies

Diana, 1973

Limited Edition Print

Lithograph

EUR 2,650

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Deux Pieds, 1997

Limited Edition Print

Lithograph

EUR 2,100

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Neujahrskarte, 1983/84

Limited Edition Print

Lithograph

EUR 1,750

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Memoria Personal, 1988

Limited Edition Print

Lithograph

EUR 2,800

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Clau 18, 1973

Limited Edition Print

Etching

EUR 3,700

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Roig I Negre I, 1985

Limited Edition Print

Etching

EUR 11,900

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Damunt Diari, 1975

Limited Edition Print

Etching

EUR 4,250

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Fora, 1976

Limited Edition Print

Mixed Media

EUR 5,450

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Quatre Rius De Sang, 1972

Limited Edition Print

Mixed Media

EUR 5,450

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Llambrec-11, 1975

Limited Edition Print

Lithograph

EUR 1,800

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Poems 5, 1974

Limited Edition Print

Lithograph

EUR 1,900

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Primer Congreso Nacional De Neuropedriatria, 1982

Limited Edition Print

Etching

EUR 1,875

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Roig I Negre 2, 1985

Limited Edition Print

Mixed Media

EUR 12,950

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Limited Edition Print

Etching And Aquatint

EUR 5,450

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Limited Edition Print

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EUR 5,450

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Limited Edition Print

Etching

EUR 7,450

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Limited Edition Print

Lithograph

EUR 2,600

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Limited Edition Print

Lithograph

EUR 4,250

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What is Tachisme?

Tachisme is a French abstract painting style that gained popularity between 1940 and 1950, often seen as the European counterpart to Abstract Expressionism. However, there are stylistic differences between the two. Tachisme, which emerged from Art Informel, rejected geometric abstraction in favor of more intuitive and spontaneous expression. It was a reaction against the structured forms of Cubism and is closely related to Informalism. Tachisme emphasizes gestural brushwork, irregular forms, and a focus on the process of painting itself.

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