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Color etching and aquatint with carborundum - Signed in pencil - Literature: Galfetti / Homs, 1122 // Antoni Tàpies’s Forma Ombrejada (1987) is a powerful example of his use of abstract forms and texture through the techniques of etching, aquatint, and carborundum. The composition features dark, shadow-like shapes combined with bold black strokes and areas of rich, deep red. The rough, textured elements create a sense of depth and tactile intensity, evoking the raw, expressive quality typical of Tàpies’s work. The contrast between the sharp black markings and the soft, shaded areas enhances the dynamic interplay of light and shadow. The piece is signed in pencil and is part of a limited edition of 99. This print exemplifies Tàpies’s mastery in creating abstract compositions that challenge the viewer’s perception and invite contemplation on materiality and space.
Forma Ombrejada, 1987
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82 x 77 cm
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Details
Artist
Styles
Color etching and aquatint with carborundum - Signed in pencil - Literature: Galfetti / Homs, 1122 // Antoni Tàpies’s Forma Ombrejada (1987) is a powerful example of his use of abstract forms and texture through the techniques of etching, aquatint, and carborundum. The composition features dark, shadow-like shapes combined with bold black strokes and areas of rich, deep red. The rough, textured elements create a sense of depth and tactile intensity, evoking the raw, expressive quality typical of Tàpies’s work. The contrast between the sharp black markings and the soft, shaded areas enhances the dynamic interplay of light and shadow. The piece is signed in pencil and is part of a limited edition of 99. This print exemplifies Tàpies’s mastery in creating abstract compositions that challenge the viewer’s perception and invite contemplation on materiality and space.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
