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Signed and numbered by the artist. Published by Erker-Presse St. Gallen, with their dry stamp. Catalogue #: 246 Antoni Tàpies’ Diana (1973) is a dynamic and gestural lithograph that embodies his signature fusion of abstraction, materiality, and symbolism. The composition features a bold red and black circular target-like motif, layered with expressive scribbles, cryptic text, and gestural brushstrokes. The intersecting diagonal bands and radiating concentric circles create a sense of movement and tension, drawing the viewer into its chaotic yet structured energy. The raw textures, dripping paint, and Tàpies’ characteristic use of earthy tones reflect his deep engagement with the physicality of materials and the expressive power of mark-making. Part of a limited edition of 100 plus artist proofs, and catalogued as 246, Diana is a testament to Tàpies’ ability to merge gestural abstraction with deep philosophical and symbolic undertones, encouraging contemplation on language, matter, and perception.
Diana, 1973
form
Medium
Size
52 x 73 cm
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Details
Artist
Styles
Signed and numbered by the artist. Published by Erker-Presse St. Gallen, with their dry stamp. Catalogue #: 246 Antoni Tàpies’ Diana (1973) is a dynamic and gestural lithograph that embodies his signature fusion of abstraction, materiality, and symbolism. The composition features a bold red and black circular target-like motif, layered with expressive scribbles, cryptic text, and gestural brushstrokes. The intersecting diagonal bands and radiating concentric circles create a sense of movement and tension, drawing the viewer into its chaotic yet structured energy. The raw textures, dripping paint, and Tàpies’ characteristic use of earthy tones reflect his deep engagement with the physicality of materials and the expressive power of mark-making. Part of a limited edition of 100 plus artist proofs, and catalogued as 246, Diana is a testament to Tàpies’ ability to merge gestural abstraction with deep philosophical and symbolic undertones, encouraging contemplation on language, matter, and perception.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
