
Details
Artist
Styles
Lithograph, signed by hand, numbered // Antoni Tàpies’ Cannage, a lithograph from 1984, presents a hauntingly abstract composition that merges texture with ephemeral forms. The piece is dominated by a soft, smoky haze that envelops the surface, with minimalistic, almost calligraphic lines sketched across it. On the left, a faint grid pattern emerges, resembling woven cane or mesh, evoking the title “Cannage.” This pattern contrasts sharply with the organic shapes on the right, creating a sense of duality between structure and fluidity. The restrained color palette emphasizes Tàpies' interest in texture and materiality, reflecting his exploration of the physical and the transient. Hand-signed and numbered, this print encapsulates Tàpies' fascination with the tactile and the ambiguous.
Cannage, 1984
form
Medium
Size
76 x 105 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Lithograph, signed by hand, numbered // Antoni Tàpies’ Cannage, a lithograph from 1984, presents a hauntingly abstract composition that merges texture with ephemeral forms. The piece is dominated by a soft, smoky haze that envelops the surface, with minimalistic, almost calligraphic lines sketched across it. On the left, a faint grid pattern emerges, resembling woven cane or mesh, evoking the title “Cannage.” This pattern contrasts sharply with the organic shapes on the right, creating a sense of duality between structure and fluidity. The restrained color palette emphasizes Tàpies' interest in texture and materiality, reflecting his exploration of the physical and the transient. Hand-signed and numbered, this print encapsulates Tàpies' fascination with the tactile and the ambiguous.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.