Details
Artist
Styles
// Antoni Tàpies's Aparicions-3, a limited edition etching from 1982, demonstrates his signature style that merges abstraction with symbolism. This work features textured, organic shapes and gestural marks that convey a sense of depth and mystery. The central form, created through layered lines and shading, appears to emerge from or recede into the background, suggesting a presence or apparition—an exploration of the unseen or spiritual realm, common in Tàpies's works. The etching also includes a distinct geometric element in the form of a red-brown square with a white mark, creating a striking contrast and adding a focal point. Known for his use of mixed media and exploration of materiality, Tàpies invites viewers to reflect on the boundary between the physical and the metaphysical.
Aparicions-3 , 1982
form
Medium
Size
76 x 56 cm
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Edition
Price
- USD
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Details
Artist
Styles
// Antoni Tàpies's Aparicions-3, a limited edition etching from 1982, demonstrates his signature style that merges abstraction with symbolism. This work features textured, organic shapes and gestural marks that convey a sense of depth and mystery. The central form, created through layered lines and shading, appears to emerge from or recede into the background, suggesting a presence or apparition—an exploration of the unseen or spiritual realm, common in Tàpies's works. The etching also includes a distinct geometric element in the form of a red-brown square with a white mark, creating a striking contrast and adding a focal point. Known for his use of mixed media and exploration of materiality, Tàpies invites viewers to reflect on the boundary between the physical and the metaphysical.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
