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Plate size: 61.5 x 42.5 cm.; Artwork size: 76 x 57 cm. -Perfect condition - Lithograph in black, two cream and beige, with relief. - Publisher: Sala Gaspar, Barcelona - Cataloging number: 80. Listed on page 54 of Tàpies. Graphic Work. 1947-1972. Editorial Gustavo Gili. 1973. // 41. Obra gráfica by Antoni Tàpies, a lithograph from 1964, exhibits a minimalist composition that highlights the artist's fascination with simplicity and texture. Printed in black with subtle cream and beige tones, this artwork is marked by four vertical strokes near the upper center, which resemble rough, organic lines. The lower left corner contains faint smudges and marks, adding an element of rawness to the piece. The restrained color palette and sparse imagery evoke a sense of contemplation and quietude, encouraging viewers to ponder the meaning behind the few, deliberate markings. Published by Sala Gaspar in Barcelona, this work is noted in Tàpies’ catalog raisonné, underscoring its relevance in his exploration of abstraction and materiality.
41. Obra gráfica, 1964
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Details
Artist
Styles
Plate size: 61.5 x 42.5 cm.; Artwork size: 76 x 57 cm. -Perfect condition - Lithograph in black, two cream and beige, with relief. - Publisher: Sala Gaspar, Barcelona - Cataloging number: 80. Listed on page 54 of Tàpies. Graphic Work. 1947-1972. Editorial Gustavo Gili. 1973. // 41. Obra gráfica by Antoni Tàpies, a lithograph from 1964, exhibits a minimalist composition that highlights the artist's fascination with simplicity and texture. Printed in black with subtle cream and beige tones, this artwork is marked by four vertical strokes near the upper center, which resemble rough, organic lines. The lower left corner contains faint smudges and marks, adding an element of rawness to the piece. The restrained color palette and sparse imagery evoke a sense of contemplation and quietude, encouraging viewers to ponder the meaning behind the few, deliberate markings. Published by Sala Gaspar in Barcelona, this work is noted in Tàpies’ catalog raisonné, underscoring its relevance in his exploration of abstraction and materiality.
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Antoni Tapies
Primer Congreso Nacional De Neuropedriatria, 1982
Limited Edition Print
Etching
EUR 1,875
What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.
