Sam Francis

Untitled, 1984

106.7 X 73 inch

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Smoking Blond

Allan D'Arcangelo | The Holy Famil | Serigraph available for sale on www.composition.gallery
Allan D'Arcangelo was an American artist and printmaker who was part of the Pop Art movement. Like other Pop artists, he drew his inspiration from the cultural (and, in his case, often literal) landscape. His best known works are acrylic paintings of highway imagery, including iconic roads (such as Route 66), street signs, a Read More
Artwork Copyright © Allan D'Arcangelo

The Holy Famil, 1980

form
Medium

Serigraph, signed and numbered in pencil

Allan D'Arcangelo was an American artist and printmaker who was part of the Pop Art movement. Like other Pop artists, he drew his inspiration from the cultural (and, in his case, often literal) landscape. His best known works are acrylic paintings of highway imagery, including iconic roads (such as Route 66), street signs, a Read More
Artwork Copyright © Allan D'Arcangelo

Allan D'Arcangelo

Beginnings, 1975

Limited Edition Print

Mixed Media

USD 1,500

Allan D'Arcangelo

Title Unknown, 1966

Limited Edition Print

Lithograph

USD 2,400

Allan D'Arcangelo

Beginning, 1975

Limited Edition Print

Lithograph

Inquire For Price

Allan D'Arcangelo

Untitled, 1969

Limited Edition Print

Silkscreen

USD 1,800

Allan D'Arcangelo

Untitled, 1968

Limited Edition Print

Lithograph

USD 2,400 - 4,000

Allan D'Arcangelo

Icarus

Limited Edition Print

Serigraph

USD 4,500

Allan D'Arcangelo

Smoke Dreams, 1980

Limited Edition Print

Serigraph

USD 2,800

Allan D'Arcangelo

The Holy Famil, 1980

Limited Edition Print

Serigraph

USD 2,800

Allan D'Arcangelo

Smoking Blond, 1990

Limited Edition Print

Serigraph

USD 4,000

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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