
Details
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Color silkscreen, collage/card Numbered and signed "Alighiero e Boetti" by the artist on the front Limited edition of 50 ex. Perspex case. Printer: Studio 3. Published by TxT - 1983 // Ammazzare il Tempo by Alighiero Boetti is a serigraph created in 1983, representing the artist's interest in language and visual structure. This limited edition print, part of a series of only 50, features a vibrant collage of bold, block letters arranged in a grid format. Each letter and background block is filled with contrasting colors, creating a dynamic interplay between form and hue. The work's title, which translates to Killing Time, aligns with Boetti’s conceptual approach, emphasizing the passage of time and the repetitive nature of patterns. Signed by the artist, it is housed in a perspex case, highlighting its collectability and artistic significance.
Ammazzare il tempo, 1983
form
Medium
Size
100 x 100 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Color silkscreen, collage/card Numbered and signed "Alighiero e Boetti" by the artist on the front Limited edition of 50 ex. Perspex case. Printer: Studio 3. Published by TxT - 1983 // Ammazzare il Tempo by Alighiero Boetti is a serigraph created in 1983, representing the artist's interest in language and visual structure. This limited edition print, part of a series of only 50, features a vibrant collage of bold, block letters arranged in a grid format. Each letter and background block is filled with contrasting colors, creating a dynamic interplay between form and hue. The work's title, which translates to Killing Time, aligns with Boetti’s conceptual approach, emphasizing the passage of time and the repetitive nature of patterns. Signed by the artist, it is housed in a perspex case, highlighting its collectability and artistic significance.
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Alighiero Boetti
Non Parto Non Resto (Nove Quadrati), 1979
Drawing / Watercolor
Watercolor
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What is Arte Povera?
A movement and style in art that originated in Italy during the 1960s. It integrates elements of minimalism, performance art, and conceptual art by using everyday or seemingly worthless materials, such as newspapers, stones, or rags. The goal was to challenge and subvert the commercialization of art.