Rilievo ottico cinetico by Alberto Biasi is a limited edition screen-print from 1972, demonstrating the artist's mastery in optical and kinetic art. The composition uses geometric patterns and repetitive lines to create an illusion of movement and depth. The intricate interplay of green and purple hues enhances the visual effect, making the forms appear dynamic as the viewer’s perspective shifts. Biasi’s work exemplifies the Op Art movement, exploring visual perception and how simple linear elements can manipulate spatial perception.
Alberto Biasi (Italy, 1937) is an Italian artist and a leading figure in the Kinetic and Optical Art movements. As a co-founder of Gruppo N in 1960, he explored visual perception through dynamic works that engage viewers in interactive experiences. Biasi's art is featured in major institutions, including the Museum of Modern Art in New York and the Centre Pompidou in Paris.
Screen-printScreen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
Rilievo ottico cinetico by Alberto Biasi is a limited edition screen-print from 1972, demonstrating the artist's mastery in optical and kinetic art. The composition uses geometric patterns and repetitive lines to create an illusion of movement and depth. The intricate interplay of green and purple hues enhances the visual effect, making the forms appear dynamic as the viewer’s perspective shifts. Biasi’s work exemplifies the Op Art movement, exploring visual perception and how simple linear elements can manipulate spatial perception.
Alberto Biasi (Italy, 1937) is an Italian artist and a leading figure in the Kinetic and Optical Art movements. As a co-founder of Gruppo N in 1960, he explored visual perception through dynamic works that engage viewers in interactive experiences. Biasi's art is featured in major institutions, including the Museum of Modern Art in New York and the Centre Pompidou in Paris.
A lot of inspiration I got from Dadaism because of the dynamism in texts, movies, and the movement itself.
- Alberto Biasi
Alberto Biasi (b. 1937, Italy) is an Italian artist and a pioneering figure in the Kinetic Artmovement, a branch of Op Art that emerged in the mid-twentieth century. Biasi was instrumental in blending traditional and non-traditional materials to create vibrant, geometric, and multi-dimensional artworks that challenge the viewer’s perception. His optically dynamic pieces, often using materials like PVC strips, engage the viewer in a unique way, inviting them to interact with the artwork and create their own interpretation. In the 1960s, Biasi co-founded the "Gruppa Enne" art movement in Italy, which paralleled other movements like America's "Anonima Group" and Germany's "Zero Group." These movements focused on retinal art and optical principles that came alive for each viewer, moving beyond flat, still, or sculptural elements. Biasi’s work remains significant over his half-century career, with his "Unlimited Perception" series spanning from the 1970s to the present. His works are showcased in prestigious institutions such as MACBA in Buenos Aires, The Peggy Guggenheim Collection in Venice and Museo El Barrio in New York. Biasi continues to be celebrated for his contributions to Kinetic Op Art, offering viewers a complex and modern way to experience art.(Artist website)
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.