Sam Francis

Untitled, 1984

106.7 X 73 inch

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Jewel of Dalmatia

Geometric abstraction by Al Held, featuring overlapping shapes like circles and rectangles in pink, green, and yellow, screen-print from 1991.

Signed and numbered - Published by The Metropolitan Museum of Art, New York. // Scholes I by Al Held, created in 1991, is a limited edition screen-print published by The Metropolitan Museum of Art in New York. This vibrant print showcases Held's mastery in geometric abstraction, featuring overlapping shapes such as circles, rectangles, and triangles in a dynamic composition. The bold use of color, including shades of pink, green, yellow, and blue, adds a sense of depth and movement, as the forms appear to intersect and float within the space. Signed and numbered by the artist, this piece is a testament to Held’s exploration of spatial relationships and his ability to create visual complexity through simple geometric forms.

Artwork Copyright © Al Held

Scholes I, 1991

form

Medium

Edition

Signed and numbered - Published by The Metropolitan Museum of Art, New York. // Scholes I by Al Held, created in 1991, is a limited edition screen-print published by The Metropolitan Museum of Art in New York. This vibrant print showcases Held's mastery in geometric abstraction, featuring overlapping shapes such as circles, rectangles, and triangles in a dynamic composition. The bold use of color, including shades of pink, green, yellow, and blue, adds a sense of depth and movement, as the forms appear to intersect and float within the space. Signed and numbered by the artist, this piece is a testament to Held’s exploration of spatial relationships and his ability to create visual complexity through simple geometric forms.

Artwork Copyright © Al Held

Al Held

Pradorama, 1991

Limited Edition Print

Lithograph

EUR 4,200

Al Held

Pachinko, 1989

Limited Edition Print

Woodcut

USD 5,500

Al Held

Camerata XII, 1989

Drawing / Watercolor

Watercolor

USD 29,500

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What is abstract art?

Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

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