Details
Artist
Styles
Lithograph on Rives BFK paper - Sheet: 43 1/4 x 31 1/2 in. (109.8 x 80 cm) // Yue Minjun’s Untitled (Smile-ism No. 9) (2006) is a lithograph that epitomizes his signature surrealism and exploration of human expression. In this work, two large, pale hands form a frame around a small, seated figure, who mirrors the smile and gestures often seen in Minjun’s other self-referential pieces. The hands dominate the foreground, while the figure within the “frame” appears isolated, accentuating a sense of introspection and irony. Known for his exaggerated, laughing self-portraits, Minjun’s work often critiques social and existential themes. The subtle color palette and the expression of the isolated figure evoke a contemplative atmosphere. Printed on Rives BFK paper, the sheet measures 109.8 x 80 cm and is part of a limited edition of 45.
Untitled (Smile-ism No. 9), 2006
form
Medium
Size
80 x 109.8 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Lithograph on Rives BFK paper - Sheet: 43 1/4 x 31 1/2 in. (109.8 x 80 cm) // Yue Minjun’s Untitled (Smile-ism No. 9) (2006) is a lithograph that epitomizes his signature surrealism and exploration of human expression. In this work, two large, pale hands form a frame around a small, seated figure, who mirrors the smile and gestures often seen in Minjun’s other self-referential pieces. The hands dominate the foreground, while the figure within the “frame” appears isolated, accentuating a sense of introspection and irony. Known for his exaggerated, laughing self-portraits, Minjun’s work often critiques social and existential themes. The subtle color palette and the expression of the isolated figure evoke a contemplative atmosphere. Printed on Rives BFK paper, the sheet measures 109.8 x 80 cm and is part of a limited edition of 45.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.
