Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (Smile-ism No. 9)

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Surplus Value (Beige)

Yue Minjun's Untitled (Smile-ism No. 14), lithograph, shows two figures with exaggerated pink smiles, evoking humor and unease.
Yue Minjun is a contemporary Chinese artist who works in Beijing. He is most widely known for his oil paintings that show himself laughing in a variety of different settings. He has also copied this image in watercolor, prints and sculpture. Critics have labeled him a part of the "Cynical Realism" movement in China, al Read More
Artwork Copyright © Yue Minjun

Untitled (Smile-ism No. 14), 2006

form
Medium

Lithograph on Rives BFK paper // Untitled (Smile-ism No. 14) by Yue Minjun is a limited edition li (...) Show More
Yue Minjun is a contemporary Chinese artist who works in Beijing. He is most widely known for his oil paintings that show himself laughing in a variety of different settings. He has also copied this image in watercolor, prints and sculpture. Critics have labeled him a part of the "Cynical Realism" movement in China, al Read More
Artwork Copyright © Yue Minjun

Yue Minjun

Surplus Value (Beige), 2019

Sculpture / Object

Mixed Media

GBP 9,000 - 12,000

Yue Minjun

Surplus Value (Brown), 2019

Sculpture / Object

Mixed Media

GBP 9,000 - 12,000

Yue Minjun

The Three Musketeers, 2019-2022

Limited Edition Print

Screen-print

USD 2,600

Yue Minjun

Untitled (Smile-ism No. 9), 2006

Limited Edition Print

Lithograph

USD 3,750

Yue Minjun

Untitled (Smile-ism No. 14), 2006

Limited Edition Print

Lithograph

Currently Not Available

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What is Political Pop?

Political Pop was an art movement that emerged in China during the 1980s, blending the Pop Art style of Western countries with the socialist realism of China. This movement arose during a time of rapid social and political change in China, as artists sought to create works that questioned and critiqued these cultural shifts. Political Pop often juxtaposed iconic images from Chinese propaganda with Western consumer culture, highlighting the tensions between tradition and modernization.

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