Details
Artist
Styles
Chromogenic print - Signed and dated label to verso Vik Muniz 2005 // Vik Muniz's Flowers in Blue and White Vase, after Chardin (2005) is a chromogenic print that reinterprets the classic still-life genre through Muniz’s unique approach to mixed media. Inspired by the works of Jean-Baptiste-Siméon Chardin, Muniz employs a mosaic of textures and colors to construct an image that appears traditional from afar but reveals a complex, layered technique upon closer inspection. The composition features a bouquet of flowers in a blue and white vase, meticulously recreated with layered, textured fragments that simulate brushstrokes. This intricate reinterpretation challenges viewers to consider the essence of visual representation, blending historical influence with contemporary technique. Limited to an edition of 6 with 4 artist proofs, this piece measures 50 x 40 cm, embodying Muniz’s playful yet profound exploration of classical art.
Flowers in Blue and White Vase, after Chardin?, 2005
form
Medium
Size
127 x 101.6 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Chromogenic print - Signed and dated label to verso Vik Muniz 2005 // Vik Muniz's Flowers in Blue and White Vase, after Chardin (2005) is a chromogenic print that reinterprets the classic still-life genre through Muniz’s unique approach to mixed media. Inspired by the works of Jean-Baptiste-Siméon Chardin, Muniz employs a mosaic of textures and colors to construct an image that appears traditional from afar but reveals a complex, layered technique upon closer inspection. The composition features a bouquet of flowers in a blue and white vase, meticulously recreated with layered, textured fragments that simulate brushstrokes. This intricate reinterpretation challenges viewers to consider the essence of visual representation, blending historical influence with contemporary technique. Limited to an edition of 6 with 4 artist proofs, this piece measures 50 x 40 cm, embodying Muniz’s playful yet profound exploration of classical art.
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