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With certificate signed by the artist // Form Code (Red) by Tony Cragg, created in 2006, is a tapestry that explores organic patterns through an abstract and intricate design in warm red and earthy tones. The composition features tubular forms that twist and coil, adorned with repetitive, tribal-like patterns that evoke textures found in natural objects like coral, shells, or even ancient artifacts. The deep reds and subtle gradients create a sense of depth and movement, making the shapes appear almost three-dimensional as they seem to flow across the tapestry. Cragg’s fascination with the complexity of organic forms and their structural intricacies is evident, encouraging viewers to interpret the piece as a representation of life’s interconnectedness and growth.
From Code (Red), 2006
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200 x 300 cm
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Details
Artist
Styles
With certificate signed by the artist // Form Code (Red) by Tony Cragg, created in 2006, is a tapestry that explores organic patterns through an abstract and intricate design in warm red and earthy tones. The composition features tubular forms that twist and coil, adorned with repetitive, tribal-like patterns that evoke textures found in natural objects like coral, shells, or even ancient artifacts. The deep reds and subtle gradients create a sense of depth and movement, making the shapes appear almost three-dimensional as they seem to flow across the tapestry. Cragg’s fascination with the complexity of organic forms and their structural intricacies is evident, encouraging viewers to interpret the piece as a representation of life’s interconnectedness and growth.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
