Sam Francis

Untitled, 1984

106.7 X 73 inch

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Mu nieltnam netorruprup.

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Untitled (Columbus In Search of a New Tomorrow)

Sigmar POLKE | Dr Pabscht het z’Schpiez s’Schpäckbschteck z’schpät bschteut | Mixed Media, 1980/1991 — available on Composition Gallery

C-print, acrylic lacquer on vinyl, mounted on a stretcher frame. Signed on a label on the reverse, numbered, printed title and inscribed "Edition für Parkett 30, 1991". Edition for Parkett, No. 30, 1991, Parkett-Verlag, Zurich. Produced by Rosco/Pixmil, San Diego, USA. Catalogue raisonné Becker/von der Osten 2000 No. 91. // Sigmar Polke's edition for Parkett 30 combines a C-print with acrylic lacquer on vinyl, mounted on a stretcher frame. The composition features crossed trowels within an open box, rendered through Polke's characteristic raster dot technique and rotated forty-five degrees into a diamond orientation. The pink, blue, and red color shifts create an unstable visual field that questions the reliability of photographic reproduction. This work embodies Polke's sustained critique of image-making processes and his subversive engagement with the visual languages of mass media and consumer culture.

Artwork Copyright © Sigmar Polke

Dr Pabscht het z’Schpiez s’Schpäckbschteck z’schpät bschteut, 1980/1991

form

Medium

Edition

C-print, acrylic lacquer on vinyl, mounted on a stretcher frame. Signed on a label on the reverse, numbered, printed title and inscribed "Edition für Parkett 30, 1991". Edition for Parkett, No. 30, 1991, Parkett-Verlag, Zurich. Produced by Rosco/Pixmil, San Diego, USA. Catalogue raisonné Becker/von der Osten 2000 No. 91. // Sigmar Polke's edition for Parkett 30 combines a C-print with acrylic lacquer on vinyl, mounted on a stretcher frame. The composition features crossed trowels within an open box, rendered through Polke's characteristic raster dot technique and rotated forty-five degrees into a diamond orientation. The pink, blue, and red color shifts create an unstable visual field that questions the reliability of photographic reproduction. This work embodies Polke's sustained critique of image-making processes and his subversive engagement with the visual languages of mass media and consumer culture.

Artwork Copyright © Sigmar Polke

Sigmar Polke

Dr Pabscht Het Z’Schpiez S’Schpäckbschteck Z’schpät Bschteut, 1980/1991

Limited Edition Print

Mixed Media

Inquire For Price

Sigmar Polke

Untitled (Columbus In Search Of A New Tomorrow), 1992

Limited Edition Print

Silkscreen

Inquire For Price

Sigmar Polke

Tisch Mit Umgekippter Kanne I, 1970

Limited Edition Print

Screen-print

Currently Not Available

Sigmar Polke

Mu Nieltnam Netorruprup., 1975

Limited Edition Print

Lithograph

Currently Not Available

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What is Capitalist Realism?

Capitalist Realism is a German form of political pop art that emerged in Cold War-era Berlin in 1963. It sought to challenge the dominance of American pop art in the Western world. The movement blended the ideologies of both pop art and socialist realism, offering a critique of consumer culture and political power.

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