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Etching and aquatint in colors, on Fabriano paper // Untitled (SFE-073RC) by Sam Francis, created in 1973, is an etching and aquatint on Fabriano paper, limited to an edition of 20. The print features bold, sweeping green brushstrokes layered over a vibrant yellow background, with splatters and spots that add a dynamic, textured effect. The interplay between the thick green forms and the vivid backdrop creates a sense of movement and energy, characteristic of Francis's abstract expressionist style. His use of color and form emphasizes spontaneity and freedom, inviting the viewer to explore the intensity and fluidity within the composition. The contrast between the organic shapes and the bright, textured surface enhances the artwork’s visual impact.
Untitled (SFE-073RC), 1973
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Medium
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88.3 x 101.3 cm
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Details
Artist
Styles
Etching and aquatint in colors, on Fabriano paper // Untitled (SFE-073RC) by Sam Francis, created in 1973, is an etching and aquatint on Fabriano paper, limited to an edition of 20. The print features bold, sweeping green brushstrokes layered over a vibrant yellow background, with splatters and spots that add a dynamic, textured effect. The interplay between the thick green forms and the vivid backdrop creates a sense of movement and energy, characteristic of Francis's abstract expressionist style. His use of color and form emphasizes spontaneity and freedom, inviting the viewer to explore the intensity and fluidity within the composition. The contrast between the organic shapes and the bright, textured surface enhances the artwork’s visual impact.
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Sam Francis
Untitled From 1 Cent Life Portfolio, 1964
Limited Edition Print
Lithograph
Currently Not Available
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
