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Lithograph in colors, on wove paper // Sam Francis’s Untitled (SF-356) from 1992 is a limited edition lithograph, featuring vibrant colors on wove paper, and measures 30 by 47 inches. The artwork is an explosion of color and dynamic motion, typical of Francis’s abstract expressionist style. At the center, a large, red circular form dominates the composition, encasing a smaller, multi-colored area filled with organic shapes and splashes. Around this central shape, a chaotic flurry of splatters, drips, and brushstrokes in various colors—blue, green, yellow, and black—radiate outward, creating an energetic and spontaneous feel. The use of vibrant, overlapping hues enhances the sense of movement and depth, making the composition both immersive and lively. Francis’s technique invites viewers to explore the interplay between order and chaos, celebrating the vibrancy of the abstract.
Untitled (SF-356), 1992
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76.2 x 119.4 cm
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Details
Artist
Styles
Lithograph in colors, on wove paper // Sam Francis’s Untitled (SF-356) from 1992 is a limited edition lithograph, featuring vibrant colors on wove paper, and measures 30 by 47 inches. The artwork is an explosion of color and dynamic motion, typical of Francis’s abstract expressionist style. At the center, a large, red circular form dominates the composition, encasing a smaller, multi-colored area filled with organic shapes and splashes. Around this central shape, a chaotic flurry of splatters, drips, and brushstrokes in various colors—blue, green, yellow, and black—radiate outward, creating an energetic and spontaneous feel. The use of vibrant, overlapping hues enhances the sense of movement and depth, making the composition both immersive and lively. Francis’s technique invites viewers to explore the interplay between order and chaos, celebrating the vibrancy of the abstract.
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Sam Francis
Untitled From 1 Cent Life Portfolio, 1964
Limited Edition Print
Lithograph
Currently Not Available
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
