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Original lithograph on BFK Rives paper - Hand signed and numbered in pencil // Self Portrait (SF-051) by Sam Francis, created in 1976, is a limited edition lithograph that presents a highly abstracted and expressive depiction of the artist’s face. The image features a network of bold, gestural strokes and splattered ink that form a smiling visage, rendered in shades of black and gray. The chaotic yet deliberate arrangement of marks suggests both movement and contemplation, blending spontaneity with control. The fragmented quality of the portrait reflects Francis's exploration of abstract expressionism, where the emotional resonance of line and form takes precedence over traditional representational accuracy. This work encapsulates Francis's dynamic approach to portraiture, using abstraction to explore the complexity of identity.
Self Portrait (SF-051), 1976
form
Medium
Size
76.2 x 55.9 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Original lithograph on BFK Rives paper - Hand signed and numbered in pencil // Self Portrait (SF-051) by Sam Francis, created in 1976, is a limited edition lithograph that presents a highly abstracted and expressive depiction of the artist’s face. The image features a network of bold, gestural strokes and splattered ink that form a smiling visage, rendered in shades of black and gray. The chaotic yet deliberate arrangement of marks suggests both movement and contemplation, blending spontaneity with control. The fragmented quality of the portrait reflects Francis's exploration of abstract expressionism, where the emotional resonance of line and form takes precedence over traditional representational accuracy. This work encapsulates Francis's dynamic approach to portraiture, using abstraction to explore the complexity of identity.
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Sam Francis
Untitled From 1 Cent Life Portfolio, 1964
Limited Edition Print
Lithograph
Currently Not Available
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
