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// Metal Line by Sam Francis, created in 1971, is a dynamic lithograph that encapsulates the artist's abstract expressionist style. This piece is filled with an energetic array of splatters, drips, and smudges in shades of black, grey, and dark brown that frame a central white space, creating a sense of depth and movement. Francis’s layered application of ink evokes a sense of spontaneity and fluidity, while the contrasting colors highlight the expressive quality of his work. The irregular, almost chaotic patterns suggest natural elements like stone or metal textures, resonating with the title Metal Line. This lithograph captures Francis’s signature exploration of space, form, and gesture, inviting viewers to interpret the abstract forms within their own personal context.
Metal Line, 1971
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Medium
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89 x 63.5 cm
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Details
Artist
Styles
// Metal Line by Sam Francis, created in 1971, is a dynamic lithograph that encapsulates the artist's abstract expressionist style. This piece is filled with an energetic array of splatters, drips, and smudges in shades of black, grey, and dark brown that frame a central white space, creating a sense of depth and movement. Francis’s layered application of ink evokes a sense of spontaneity and fluidity, while the contrasting colors highlight the expressive quality of his work. The irregular, almost chaotic patterns suggest natural elements like stone or metal textures, resonating with the title Metal Line. This lithograph captures Francis’s signature exploration of space, form, and gesture, inviting viewers to interpret the abstract forms within their own personal context.
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Sam Francis
Untitled From 1 Cent Life Portfolio, 1964
Limited Edition Print
Lithograph
Currently Not Available
What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
