Untitled (Doors) by Robert Therrien is a minimalist aquatint print from 1996, showcasing Therrien's focus on simple forms and the subtle transformation of everyday objects. The composition features two red, rectangular shapes that resemble abstract doors, arranged in a staggered alignment against a white background. The stark color contrast and geometric simplicity create a sense of depth and balance, inviting viewers to engage with the form's architectural implications. Therrien’s work often blurs the line between abstraction and recognizable shapes, and in Untitled (Doors), he reduces the concept of a door to its most basic, symbolic representation. This piece, part of a limited edition of 25 with 10 artist proofs, exemplifies his refined approach to abstraction and form.
Robert Therrien (United States, 1947–2019) was an American artist renowned for transforming everyday objects into monumental sculptures. His works, such as oversized tables and chairs, challenge perceptions of scale and reality, inviting viewers into a whimsical, immersive experience.
AquatintIntaglio is a printmaking technique where the artist creates marks on a metal plate that hold ink or dye. The inked plate is then pressed onto paper, transferring the ink to the sheet. This process can be repeated multiple times depending on the technique. Intaglio methods, such as etching, often involve applying a mordant (acid) to the metal plate to create the design. Intaglio encompasses various techniques, including engraving, etching, and drypoint.
Untitled (Doors) by Robert Therrien is a minimalist aquatint print from 1996, showcasing Therrien's focus on simple forms and the subtle transformation of everyday objects. The composition features two red, rectangular shapes that resemble abstract doors, arranged in a staggered alignment against a white background. The stark color contrast and geometric simplicity create a sense of depth and balance, inviting viewers to engage with the form's architectural implications. Therrien’s work often blurs the line between abstraction and recognizable shapes, and in Untitled (Doors), he reduces the concept of a door to its most basic, symbolic representation. This piece, part of a limited edition of 25 with 10 artist proofs, exemplifies his refined approach to abstraction and form.
Robert Therrien (United States, 1947–2019) was an American artist renowned for transforming everyday objects into monumental sculptures. His works, such as oversized tables and chairs, challenge perceptions of scale and reality, inviting viewers into a whimsical, immersive experience.
I see my work as fairly self-contained, almost circular.
- Robert Therrien
Robert Therrien is an artist inspired by memory. Evoking the term's simplest most familiar forms, he aims for the viewer to rethink the meaning behind ordinary objects like a table leg or a wooden dining set. Though based mainly on his childhood memories, Therrien leaves the objects' interpretation open-ended. Given the ambiguous subject, Robert Therrien incorporates from a variety of art-movements. Particularly early on, his pieces were influenced by Minimalism, Pop Art, and Conceptualism. Elements from all three are evident in Therrien's work through its simplicity, uncompromising presentation, and focus on being "back-to-the-basic" in a new way. As a result, Robert Therrien's vision leads him to use different types of mediums. While focusing on sculpting, other art forms such as painting, drawing, printmaking, and photography have also been included by Therrien throughout his career. Thus Therrien demonstrates his art is only limited to the wide interpretation that memory could hold.
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.