Sam Francis

Untitled, 1984

106.7 X 73 inch

Robert Therrien, Untitled (Doors), aquatint, two red rectangular shapes resembling doors on white background, minimalist composition.

// Untitled (Doors) by Robert Therrien is a minimalist aquatint print from 1996, showcasing Therrien's focus on simple forms and the subtle transformation of everyday objects. The composition features two red, rectangular shapes that resemble abstract doors, arranged in a staggered alignment against a white background. The stark color contrast and geometric simplicity create a sense of depth and balance, inviting viewers to engage with the form's architectural implications. Therrien’s work often blurs the line between abstraction and recognizable shapes, and in Untitled (Doors), he reduces the concept of a door to its most basic, symbolic representation. This piece, part of a limited edition of 25 with 10 artist proofs, exemplifies his refined approach to abstraction and form.

Artwork Copyright © Robert Therrien

Untitled (Doors), 1996

form

Medium

Edition

// Untitled (Doors) by Robert Therrien is a minimalist aquatint print from 1996, showcasing Therrien's focus on simple forms and the subtle transformation of everyday objects. The composition features two red, rectangular shapes that resemble abstract doors, arranged in a staggered alignment against a white background. The stark color contrast and geometric simplicity create a sense of depth and balance, inviting viewers to engage with the form's architectural implications. Therrien’s work often blurs the line between abstraction and recognizable shapes, and in Untitled (Doors), he reduces the concept of a door to its most basic, symbolic representation. This piece, part of a limited edition of 25 with 10 artist proofs, exemplifies his refined approach to abstraction and form.

Artwork Copyright © Robert Therrien

Robert Therrien

Untitled (Doors), 1996

Limited Edition Print

Aquatint

Currently Not Available

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What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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