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Sculpture with photo-screenprinted decals, etc. // Robert Rauschenberg's Tibetan Keys (Rectangle) (1987) is a mixed-media sculpture incorporating photo-screenprinted decals on a rectangular form. The artwork juxtaposes vibrant images of yellow roses with architectural motifs, blending organic and structural elements in a thought-provoking manner. Rauschenberg’s use of photography as a surface treatment highlights his interest in layering visual narratives and textures, creating a multidimensional piece that invites viewers to explore the contrasts between nature and man-made designs. This sculpture is an example of Rauschenberg’s innovative approach to contemporary art, merging photography and physical objects to create a compelling dialogue within his work.
Tibetan Keys (Rectangle), 1987
form
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25.4 x 25.4 X 45.7 cm
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Details
Artist
Styles
Sculpture with photo-screenprinted decals, etc. // Robert Rauschenberg's Tibetan Keys (Rectangle) (1987) is a mixed-media sculpture incorporating photo-screenprinted decals on a rectangular form. The artwork juxtaposes vibrant images of yellow roses with architectural motifs, blending organic and structural elements in a thought-provoking manner. Rauschenberg’s use of photography as a surface treatment highlights his interest in layering visual narratives and textures, creating a multidimensional piece that invites viewers to explore the contrasts between nature and man-made designs. This sculpture is an example of Rauschenberg’s innovative approach to contemporary art, merging photography and physical objects to create a compelling dialogue within his work.
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C-Print
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Limited Edition Print
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Limited Edition Print
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Limited Edition Print
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Limited Edition Print
Lithograph
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Limited Edition Print
Lithograph
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Limited Edition Print
Pigment Print
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Limited Edition Print
Lithograph
Inquire For Price
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Limited Edition Print
Lithograph
Inquire For Price
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Limited Edition Print
Mixed Media
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Limited Edition Print
Offset Print
USD 5,000
What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.