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Lithograph on Georges Duchêne Hawthorne of Larroque, handmade. Signed and numbered to lower margin. Image: 29.8 × 18 in (76 × 46 cm) Sheet: 35.7 × 23.75 in (90 × 60 cm) Printed and published by Gemini G.E.L., Los Angeles. Literature: Engberg/Banach 166 | Gemini 600 | Belknap 117 An example of this work is held in the collection of the National Gallery of Art, Washington, DC. Soot-Black Stone, #5 by Robert Motherwell, created in 1975, is the final print in his contemplative Soot-Black Stone lithograph series. Printed on handmade Georges Duchêne Hawthorne of Larroque paper, the composition centers a pale, textured stone-like form within a deep black field. Minimalist curved white lines gently frame the form, evoking a subtle human presence or spatial boundaries. With this restrained visual language, Motherwell achieves a powerful sense of stillness and introspection. Printed and published by Gemini G.E.L. in Los Angeles, the work is a poignant conclusion to a series focused on materiality, absence, and the poetic potential of form.
Soot-Black Stone, #5, 1975
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90 x 60 cm
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Details
Artist
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Lithograph on Georges Duchêne Hawthorne of Larroque, handmade. Signed and numbered to lower margin. Image: 29.8 × 18 in (76 × 46 cm) Sheet: 35.7 × 23.75 in (90 × 60 cm) Printed and published by Gemini G.E.L., Los Angeles. Literature: Engberg/Banach 166 | Gemini 600 | Belknap 117 An example of this work is held in the collection of the National Gallery of Art, Washington, DC. Soot-Black Stone, #5 by Robert Motherwell, created in 1975, is the final print in his contemplative Soot-Black Stone lithograph series. Printed on handmade Georges Duchêne Hawthorne of Larroque paper, the composition centers a pale, textured stone-like form within a deep black field. Minimalist curved white lines gently frame the form, evoking a subtle human presence or spatial boundaries. With this restrained visual language, Motherwell achieves a powerful sense of stillness and introspection. Printed and published by Gemini G.E.L. in Los Angeles, the work is a poignant conclusion to a series focused on materiality, absence, and the poetic potential of form.
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What is automatism?
Automatism refers to a technique in the creative process that accesses material from the unconscious or subconscious mind. It is based on Sigmund Freud’s psychoanalytic method of free association. Artists value this process for its ability to inspire creative thought and spontaneous creation.
