Details
Artist
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Original lithograph in colors on Arches 88 wove paper - Hand-signed by the artist, and numbered in pencil // Palo Alto by Robert Motherwell, created in 1978, is a striking lithograph that showcases the artist's affinity for abstract expressionism and minimalist form. The artwork features bold, gestural black strokes against a vibrant red background, creating a powerful visual impact. The simplicity of the composition—a few vertical lines balanced by horizontal strokes—emphasizes the raw energy and emotion often found in Motherwell’s work. Printed on Arches 88 wove paper, the lithograph has been hand-signed and numbered by the artist in pencil, enhancing its exclusivity and authenticity. This piece exemplifies Motherwell’s ability to convey intensity and movement through minimalistic yet expressive forms, maintaining a strong presence that invites contemplation and interpretation.
Palo Alto, 1978
form
Medium
Size
91.4 x 61 cm
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Edition
Price
Details
Artist
Styles
Original lithograph in colors on Arches 88 wove paper - Hand-signed by the artist, and numbered in pencil // Palo Alto by Robert Motherwell, created in 1978, is a striking lithograph that showcases the artist's affinity for abstract expressionism and minimalist form. The artwork features bold, gestural black strokes against a vibrant red background, creating a powerful visual impact. The simplicity of the composition—a few vertical lines balanced by horizontal strokes—emphasizes the raw energy and emotion often found in Motherwell’s work. Printed on Arches 88 wove paper, the lithograph has been hand-signed and numbered by the artist in pencil, enhancing its exclusivity and authenticity. This piece exemplifies Motherwell’s ability to convey intensity and movement through minimalistic yet expressive forms, maintaining a strong presence that invites contemplation and interpretation.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
