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Beautiful monochromatic etching by renowned artist, Richard Serra. // Extensión #2 by Richard Serra, created in 2004, is a striking monochromatic etching that embodies the artist’s exploration of density, form, and spatial tension. The composition is a large, curved black field, subtly textured and set against a white background. This curve introduces a dynamic tension within the otherwise minimalist design, lending a sense of movement and fluidity to the solid, imposing form. Serra’s work often examines the physicality of space, and in Extensión #2, he invites viewers to engage with the artwork’s scale and the interaction between form and void. The piece exemplifies Serra’s mastery of abstraction, presenting an image that is both starkly simple and deeply contemplative.
Extensión # 2, 2004
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120 x 89 cm
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Details
Artist
Styles
Beautiful monochromatic etching by renowned artist, Richard Serra. // Extensión #2 by Richard Serra, created in 2004, is a striking monochromatic etching that embodies the artist’s exploration of density, form, and spatial tension. The composition is a large, curved black field, subtly textured and set against a white background. This curve introduces a dynamic tension within the otherwise minimalist design, lending a sense of movement and fluidity to the solid, imposing form. Serra’s work often examines the physicality of space, and in Extensión #2, he invites viewers to engage with the artwork’s scale and the interaction between form and void. The piece exemplifies Serra’s mastery of abstraction, presenting an image that is both starkly simple and deeply contemplative.
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Richard Serra
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Limited Edition Print
Etching
EUR 20,000 - 30,000
Richard Serra
Between The Torus And The Sphere IV, 2006
Limited Edition Print
Etching
EUR 20,000 - 30,000
What is interactive art?
Interactive art is a form of art where the spectator is actively involved by the artist to achieve the artwork's purpose. This involvement can include allowing the visitor to walk around, in, or on the art installation, or even becoming a part of the artwork itself. Works in this category often feature computers, sensors, and interfaces that respond to various inputs such as meteorological changes, heat, motion, or other types of data programmed by the artist.
