Sam Francis

Untitled, 1984

106.7 X 73 inch

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Richard Serra | Videy Afangar #6 | Intaglio available for sale on www.composition.gallery
Richard Serra was an American artist known primarily for his large-scale outdoor sculptures made of sheet metal and for his avant garde video work. His work is in the permanent collections of such institutions as the Guggenheim Museum in Bilbao, Spain, and the Museum of Modern Art (MoMA). He has been the recipient of many awards Read More
Artwork Copyright © Richard Serra

Videy Afangar #6, 1991

form
Medium

This one-color intaglio on Hahnemühle German etching paper was created by the artist in 1991. Hand- (...) Show More
Richard Serra was an American artist known primarily for his large-scale outdoor sculptures made of sheet metal and for his avant garde video work. His work is in the permanent collections of such institutions as the Guggenheim Museum in Bilbao, Spain, and the Museum of Modern Art (MoMA). He has been the recipient of many awards Read More
Artwork Copyright © Richard Serra

Richard Serra

Extensión # 3, 2004

Limited Edition Print

Etching

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Richard Serra

Extensión # 2, 2004

Limited Edition Print

Etching

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Richard Serra

Sketch 5, 1983

Limited Edition Print

Lithograph

Artwork On Hold

Richard Serra

Sketch 3, 1983

Limited Edition Print

Lithograph

Currently Not Available

Richard Serra

Paths And Edges # 8, 2007

Limited Edition Print

Etching

Currently Not Available

Richard Serra

Paths And Edges #6, 2007

Limited Edition Print

Etching

Currently Not Available

Richard Serra

Transversal # 4, 2004

Limited Edition Print

Etching

Currently Not Available

Richard Serra

Ballast III, 2011

Limited Edition Print

Etching

Currently Not Available

Richard Serra

Ballast II

Limited Edition Print

Etching

Currently Not Available

Richard Serra

Ballast I, 2011

Limited Edition Print

Etching

Currently Not Available

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What is Systems Art?

Systems Art describes a group of artists which used the structures of conceptualism and minimalism to create artwork responsive to their environment. They rejected traditional art themes and embraced aesthetic systems in experimentation with diverse media, connecting with late 1960s to early 1970s political movements.

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