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Softground etching with drypoint on Rives BFK paper - Published by Crown Point Press, San Francisco - Plate: 45.4 by 60 cm 17 by 23 in; Sheet: 67 by 102 cm 26 by 40¼ in // Richard Diebenkorn's Two Way (1982) is an etching that blends softground and drypoint techniques to create a delicate yet structured composition. Executed on Rives BFK paper, the work features a series of overlapping lines and geometric shapes, suggesting both architectural forms and abstract spatial relationships. A heavy black border encloses subtle linear elements and faint marks, evoking a sense of containment and openness simultaneously. The restrained palette and minimalist form exemplify Diebenkorn’s fascination with balance and spatial dynamics, as seen in his Ocean Park series. Published by Crown Point Press, San Francisco, the print’s clean, linear aesthetic invites viewers to explore its quiet complexity.
Details
Artist
Styles
Softground etching with drypoint on Rives BFK paper - Published by Crown Point Press, San Francisco - Plate: 45.4 by 60 cm 17 by 23 in; Sheet: 67 by 102 cm 26 by 40¼ in // Richard Diebenkorn's Two Way (1982) is an etching that blends softground and drypoint techniques to create a delicate yet structured composition. Executed on Rives BFK paper, the work features a series of overlapping lines and geometric shapes, suggesting both architectural forms and abstract spatial relationships. A heavy black border encloses subtle linear elements and faint marks, evoking a sense of containment and openness simultaneously. The restrained palette and minimalist form exemplify Diebenkorn’s fascination with balance and spatial dynamics, as seen in his Ocean Park series. Published by Crown Point Press, San Francisco, the print’s clean, linear aesthetic invites viewers to explore its quiet complexity.
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