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Original color lithograph on paper - Unsigned // Richard Diebenkorn’s Seated Woman (1965) is an evocative lithograph that showcases his mastery of figuration combined with expressive abstraction. The artwork features a woman seated in a relaxed pose, sketched with loose, gestural lines that convey both form and emotion. The monochromatic red palette adds intensity and depth, highlighting the contours and structure of the figure while emphasizing the raw and immediate quality of the print. Diebenkorn’s approach captures a sense of intimacy and vulnerability, inviting viewers to contemplate the essence of the human figure through abstract expressionist influences. This lithograph, although unsigned, remains a powerful representation of Diebenkorn's exploration of the human form.
Seated woman, 1965
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Medium
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72.4 x 55.9 cm
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Details
Artist
Styles
Original color lithograph on paper - Unsigned // Richard Diebenkorn’s Seated Woman (1965) is an evocative lithograph that showcases his mastery of figuration combined with expressive abstraction. The artwork features a woman seated in a relaxed pose, sketched with loose, gestural lines that convey both form and emotion. The monochromatic red palette adds intensity and depth, highlighting the contours and structure of the figure while emphasizing the raw and immediate quality of the print. Diebenkorn’s approach captures a sense of intimacy and vulnerability, inviting viewers to contemplate the essence of the human figure through abstract expressionist influences. This lithograph, although unsigned, remains a powerful representation of Diebenkorn's exploration of the human form.
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Richard Diebenkorn
Untitled (from Club/Spade Group '81-82), 1986
Limited Edition Print
Lithograph
Inquire For Price
Richard Diebenkorn
Seated Woman In Arm Chair, 1965
Limited Edition Print
Lithograph
Currently Not Available
What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.