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Original color lithograph on paper - Unsigned // Richard Diebenkorn’s Seated Woman (1965) is an evocative lithograph that showcases his mastery of figuration combined with expressive abstraction. The artwork features a woman seated in a relaxed pose, sketched with loose, gestural lines that convey both form and emotion. The monochromatic red palette adds intensity and depth, highlighting the contours and structure of the figure while emphasizing the raw and immediate quality of the print. Diebenkorn’s approach captures a sense of intimacy and vulnerability, inviting viewers to contemplate the essence of the human figure through abstract expressionist influences. This lithograph, although unsigned, remains a powerful representation of Diebenkorn's exploration of the human form.
Seated woman, 1965
form
Medium
Size
72.4 x 55.9 cm
- Inches
- Centimeters
Edition
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Details
Artist
Styles
Original color lithograph on paper - Unsigned // Richard Diebenkorn’s Seated Woman (1965) is an evocative lithograph that showcases his mastery of figuration combined with expressive abstraction. The artwork features a woman seated in a relaxed pose, sketched with loose, gestural lines that convey both form and emotion. The monochromatic red palette adds intensity and depth, highlighting the contours and structure of the figure while emphasizing the raw and immediate quality of the print. Diebenkorn’s approach captures a sense of intimacy and vulnerability, inviting viewers to contemplate the essence of the human figure through abstract expressionist influences. This lithograph, although unsigned, remains a powerful representation of Diebenkorn's exploration of the human form.
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Richard Diebenkorn
Untitled (from Club/Spade Group '81-82), 1986
Limited Edition Print
Lithograph
Inquire For Price
Richard Diebenkorn
Seated Woman In Arm Chair, 1965
Limited Edition Print
Lithograph
Currently Not Available
What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
