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Color aquatint, spit bite aquatint, hard ground etching, and drypoint with scraping // Richard Diebenkorn, Green Tree Spade is a mixed-media print created in 1982 using a combination of color aquatint, spit bite aquatint, hard ground etching, and drypoint with scraping. The artwork features an abstract, tree-like form in shades of green, framed by bold, dark outlines. The top of the image is defined by a blue horizontal stripe, which contrasts with the more organic, freeform shapes below. The textured interior of the green form adds depth and complexity to the composition, while the dark lines emphasize structure and movement. This print is part of a limited edition of 35 and showcases Diebenkorn's mastery in blending abstract expressionism with elements of figuration, offering a visually intriguing balance between spontaneity and control.
Green Tree Spade, 1982
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50.2 x 66.7 cm
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Details
Artist
Styles
Color aquatint, spit bite aquatint, hard ground etching, and drypoint with scraping // Richard Diebenkorn, Green Tree Spade is a mixed-media print created in 1982 using a combination of color aquatint, spit bite aquatint, hard ground etching, and drypoint with scraping. The artwork features an abstract, tree-like form in shades of green, framed by bold, dark outlines. The top of the image is defined by a blue horizontal stripe, which contrasts with the more organic, freeform shapes below. The textured interior of the green form adds depth and complexity to the composition, while the dark lines emphasize structure and movement. This print is part of a limited edition of 35 and showcases Diebenkorn's mastery in blending abstract expressionism with elements of figuration, offering a visually intriguing balance between spontaneity and control.
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Richard Diebenkorn
Untitled (from Club/Spade Group '81-82), 1986
Limited Edition Print
Lithograph
Inquire For Price
Richard Diebenkorn
Seated Woman In Arm Chair, 1965
Limited Edition Print
Lithograph
Currently Not Available
What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.