
Details
Artist
Styles
Etching and aquatint on J Whatman laid paper - Signed and numbered in pencil - Published by Crown Point Press, San Fransisco // Richard Diebenkorn, Eiffel Spade is an etching and aquatint created in 1982. This abstract composition features bold, fluid black lines that intersect and curve, resembling organic shapes or calligraphic strokes, all within a rectangular frame. The contrast between the dark lines and the soft, shaded background enhances the graphic quality of the piece. The minimalism and gestural quality of the lines evoke a sense of movement and fluidity, typical of Diebenkorn’s work during this period. Printed on J. Whatman laid paper, the artwork is signed and numbered in pencil, with only 50 editions produced. Published by Crown Point Press in San Francisco, Eiffel Spade is an exploration of abstract form, line, and space, showcasing Diebenkorn's interest in the balance between representation and abstraction.
Eiffel Spade, 1982
form
Medium
Size
59.1 x 46.4 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Etching and aquatint on J Whatman laid paper - Signed and numbered in pencil - Published by Crown Point Press, San Fransisco // Richard Diebenkorn, Eiffel Spade is an etching and aquatint created in 1982. This abstract composition features bold, fluid black lines that intersect and curve, resembling organic shapes or calligraphic strokes, all within a rectangular frame. The contrast between the dark lines and the soft, shaded background enhances the graphic quality of the piece. The minimalism and gestural quality of the lines evoke a sense of movement and fluidity, typical of Diebenkorn’s work during this period. Printed on J. Whatman laid paper, the artwork is signed and numbered in pencil, with only 50 editions produced. Published by Crown Point Press in San Francisco, Eiffel Spade is an exploration of abstract form, line, and space, showcasing Diebenkorn's interest in the balance between representation and abstraction.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.