Sam Francis

Untitled, 1984

106.7 X 73 inch

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Richard Diebenkorn, Eiffel Spade, etching and aquatint. Abstract black lines curve and intersect against a softly shaded background.

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Etching and aquatint on J Whatman laid paper - Signed and numbered in pencil - Published by Crown Point Press, San Fransisco // Richard Diebenkorn, Eiffel Spade is an etching and aquatint created in 1982. This abstract composition features bold, fluid black lines that intersect and curve, resembling organic shapes or calligraphic strokes, all within a rectangular frame. The contrast between the dark lines and the soft, shaded background enhances the graphic quality of the piece. The minimalism and gestural quality of the lines evoke a sense of movement and fluidity, typical of Diebenkorn’s work during this period. Printed on J. Whatman laid paper, the artwork is signed and numbered in pencil, with only 50 editions produced. Published by Crown Point Press in San Francisco, Eiffel Spade is an exploration of abstract form, line, and space, showcasing Diebenkorn's interest in the balance between representation and abstraction.

Artwork Copyright © Richard Diebenkorn

Richard Diebenkorn

Eiffel Spade, 1982

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59.1 x 46.4   cm
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Etching and aquatint on J Whatman laid paper - Signed and numbered in pencil - Published by Crown Point Press, San Fransisco // Richard Diebenkorn, Eiffel Spade is an etching and aquatint created in 1982. This abstract composition features bold, fluid black lines that intersect and curve, resembling organic shapes or calligraphic strokes, all within a rectangular frame. The contrast between the dark lines and the soft, shaded background enhances the graphic quality of the piece. The minimalism and gestural quality of the lines evoke a sense of movement and fluidity, typical of Diebenkorn’s work during this period. Printed on J. Whatman laid paper, the artwork is signed and numbered in pencil, with only 50 editions produced. Published by Crown Point Press in San Francisco, Eiffel Spade is an exploration of abstract form, line, and space, showcasing Diebenkorn's interest in the balance between representation and abstraction.

Artwork Copyright © Richard Diebenkorn
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Richard Diebenkorn, Green Tree Spade, mixed media print. Abstract green tree-like form with textured surface, framed by bold black lines, and a blue horizontal stripe above.

Richard Diebenkorn

Green Tree Spade, 1982

Limited Edition Print

Mixed Media

USD 8,790

Richard Diebenkorn, Spade Drypoint, drypoint print. Abstract black spade-like lines layered in a fluid form on a soft shaded background.

Richard Diebenkorn

Spade Drypoint, 1982

Limited Edition Print

Drypoint

Inquire For Price

Richard Diebenkorn, Sugarlift Spade, aquatint. Abstract black spade-like shapes overlap in bold contrast against a white background.

Richard Diebenkorn

Sugarlift Spade, 1982

Limited Edition Print

Aquatint

Inquire For Price

Richard Diebenkorn's Touch Red, muted geometric abstraction with soft beige and pastel tones bordered by thin lines, on white paper.

Richard Diebenkorn

Touch Red, 1991

Limited Edition Print

Mixed Media

Inquire For Price

Richard Diebenkorn Seated Woman lithograph featuring a gestural red sketch of a woman sitting in a relaxed pose on white paper.

Richard Diebenkorn

Seated Woman, 1965

Limited Edition Print

Lithograph

USD 3,250

Richard Diebenkorn's Double Map of Ireland 1990 etching featuring two abstract maps of Ireland, one dark and textured, the other light, with partial text.

Richard Diebenkorn

Double Map Of Ireland, 1990

Limited Edition Print

Etching

USD 2,990

Richard Diebenkorn's Coat IV 1990 etching featuring a solitary coat hanging within an archway, rendered with textured details in a monochromatic palette.

Richard Diebenkorn

Coat IV, 1990

Limited Edition Print

Etching

USD 2,650

Richard Diebenkorn Untitled (for Harvey Gantt) lithograph with gestural black strokes of a leaf-like form on striped background.

Richard Diebenkorn

Untitled (for Harvey Gantt), 1990

Limited Edition Print

Lithograph

USD 3,400

Richard Diebenkorn Untitled lithograph with black field, white organic shapes resembling clubs or spades, and red-blue accents.

Richard Diebenkorn

Untitled (from Club/Spade Group '81-82), 1986

Limited Edition Print

Lithograph

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Richard Diebenkorn's Seated Woman in Arm Chair, 1965 lithograph, features a contemplative figure drawn in expressive black lines against a simple background.

Richard Diebenkorn

Seated Woman In Arm Chair, 1965

Limited Edition Print

Lithograph

Currently Not Available

Richard Diebenkorn, Softground Y, etching with minimalist Y-shaped lines and subtle marks on Rives BFK paper.

Richard Diebenkorn

Softground Y, 1982

Limited Edition Print

Etching

Currently Not Available

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What is Colour Field Painting?
Artwork by Ellsworth Kelly

What is Colour Field Painting?

Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.

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