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Suite: Six Etchings for Poems of W.B. Yeats - Hand Initialed and numbered by Diebenkorn // Double Map of Ireland by Richard Diebenkorn, created in 1990, is an etching that forms part of the suite Six Etchings for Poems of W.B. Yeats. This limited edition print features two abstract representations of Ireland's map, stacked one above the other. The upper portion showcases a dark, textured outline of the island, while the lower segment presents a lighter, more subdued interpretation. The division between the two maps is marked by partial text that reads RUNS ON RUN…, adding a sense of mystery and fragmentation. Diebenkorn’s intricate line work and subtle play with negative space create a dynamic tension, inviting viewers to explore the geographical form through an abstract, poetic lens. The work exemplifies Diebenkorn's mastery in balancing structure and spontaneity, offering a contemplative take on spatial relationships and abstraction.
Double Map of Ireland, 1990
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49.5 x 39.4 cm
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Details
Artist
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Suite: Six Etchings for Poems of W.B. Yeats - Hand Initialed and numbered by Diebenkorn // Double Map of Ireland by Richard Diebenkorn, created in 1990, is an etching that forms part of the suite Six Etchings for Poems of W.B. Yeats. This limited edition print features two abstract representations of Ireland's map, stacked one above the other. The upper portion showcases a dark, textured outline of the island, while the lower segment presents a lighter, more subdued interpretation. The division between the two maps is marked by partial text that reads RUNS ON RUN…, adding a sense of mystery and fragmentation. Diebenkorn’s intricate line work and subtle play with negative space create a dynamic tension, inviting viewers to explore the geographical form through an abstract, poetic lens. The work exemplifies Diebenkorn's mastery in balancing structure and spontaneity, offering a contemplative take on spatial relationships and abstraction.
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What is geometric abstract art?
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.