Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (for Harvey Gantt)

Richard Diebenkorn's Coat IV 1990 etching featuring a solitary coat hanging within an archway, rendered with textured details in a monochromatic palette.

Suite: Six Etchings for Poems of W.B. Yeats - Hand Initialed and numbered by Diebenkorn // Coat IV by Richard Diebenkorn, created in 1990, is an etching that is part of the suite Six Etchings for Poems of W.B. Yeats. This limited edition print portrays a solitary coat hanging within an archway, rendered with Diebenkorn's signature attention to line and texture. The piece, characterized by its simplicity, transforms an everyday object into a contemplative subject, emphasizing form and the subtle play of light and shadow. The etching’s monochromatic palette accentuates the coat’s worn, textured surface, inviting viewers to reflect on themes of presence, absence, and the passage of time. Diebenkorn’s skillful use of composition and space imbues the work with a quiet, meditative quality, showcasing his ability to turn the ordinary into something significant and evocative.

Artwork Copyright © Richard Diebenkorn

Coat IV, 1990

form

Medium

Edition

Suite: Six Etchings for Poems of W.B. Yeats - Hand Initialed and numbered by Diebenkorn // Coat IV by Richard Diebenkorn, created in 1990, is an etching that is part of the suite Six Etchings for Poems of W.B. Yeats. This limited edition print portrays a solitary coat hanging within an archway, rendered with Diebenkorn's signature attention to line and texture. The piece, characterized by its simplicity, transforms an everyday object into a contemplative subject, emphasizing form and the subtle play of light and shadow. The etching’s monochromatic palette accentuates the coat’s worn, textured surface, inviting viewers to reflect on themes of presence, absence, and the passage of time. Diebenkorn’s skillful use of composition and space imbues the work with a quiet, meditative quality, showcasing his ability to turn the ordinary into something significant and evocative.

Artwork Copyright © Richard Diebenkorn

Richard Diebenkorn

Green Tree Spade, 1982

Limited Edition Print

Mixed Media

USD 8,790

Richard Diebenkorn

Spade Drypoint, 1982

Limited Edition Print

Drypoint

Inquire For Price

Richard Diebenkorn

Sugarlift Spade, 1982

Limited Edition Print

Aquatint

Inquire For Price

Richard Diebenkorn

Touch Red, 1991

Limited Edition Print

Mixed Media

Inquire For Price

Richard Diebenkorn

Seated Woman, 1965

Limited Edition Print

Lithograph

USD 3,250

Richard Diebenkorn

Double Map Of Ireland, 1990

Limited Edition Print

Etching

USD 2,990

Richard Diebenkorn

Coat IV, 1990

Limited Edition Print

Etching

USD 2,650

Richard Diebenkorn

Untitled (for Harvey Gantt), 1990

Limited Edition Print

Lithograph

USD 3,400

Richard Diebenkorn

Untitled (from Club/Spade Group '81-82), 1986

Limited Edition Print

Lithograph

Inquire For Price

Richard Diebenkorn

Seated Woman In Arm Chair, 1965

Limited Edition Print

Lithograph

Currently Not Available

Richard Diebenkorn

Softground Y, 1982

Limited Edition Print

Etching

Currently Not Available

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What is Colour Field Painting?

Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.

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