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Suite: Six Etchings for Poems of W.B. Yeats - Hand Initialed and numbered by Diebenkorn // Coat IV by Richard Diebenkorn, created in 1990, is an etching that is part of the suite Six Etchings for Poems of W.B. Yeats. This limited edition print portrays a solitary coat hanging within an archway, rendered with Diebenkorn's signature attention to line and texture. The piece, characterized by its simplicity, transforms an everyday object into a contemplative subject, emphasizing form and the subtle play of light and shadow. The etching’s monochromatic palette accentuates the coat’s worn, textured surface, inviting viewers to reflect on themes of presence, absence, and the passage of time. Diebenkorn’s skillful use of composition and space imbues the work with a quiet, meditative quality, showcasing his ability to turn the ordinary into something significant and evocative.
Coat IV, 1990
form
Medium
Size
49.5 x 39.4 cm
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- Centimeters
Edition
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Details
Artist
Styles
Suite: Six Etchings for Poems of W.B. Yeats - Hand Initialed and numbered by Diebenkorn // Coat IV by Richard Diebenkorn, created in 1990, is an etching that is part of the suite Six Etchings for Poems of W.B. Yeats. This limited edition print portrays a solitary coat hanging within an archway, rendered with Diebenkorn's signature attention to line and texture. The piece, characterized by its simplicity, transforms an everyday object into a contemplative subject, emphasizing form and the subtle play of light and shadow. The etching’s monochromatic palette accentuates the coat’s worn, textured surface, inviting viewers to reflect on themes of presence, absence, and the passage of time. Diebenkorn’s skillful use of composition and space imbues the work with a quiet, meditative quality, showcasing his ability to turn the ordinary into something significant and evocative.
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Limited Edition Print
Lithograph
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Limited Edition Print
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.