Sam Francis

Untitled, 1984

106.7 X 73 inch

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Mike and the Modelmakers

Rachel WHITEREAD | 50 Spaces | Screenprint, 2021 — available on Composition Gallery

24 Colour Screenprint on Somerset Tub Sized White 410gsm. Produced by Counter Studio. Hand-signed by artist, Signed, titled and numbered by the artist. // A pale silver-grey graph-paper field carries fifty soft-edged little ghosts in five rows of ten, each square outlined faintly and tinted in pastel — cream, pale yellow, mint, peach, pearl-grey, blush. They feel like the cast interiors of small intimate objects, set out in pure inventory. Twenty-four-colour screenprint on Somerset Tub Sized White 410gsm, produced by Counter Studio, hand-signed, titled and numbered. Whiteread's celebrated negative-space sculpture distilled to its purest possible print — a focused, contemplative piece to acquire.

Artwork Copyright © Rachel Whiteread

50 Spaces, 2021

form

Medium

Edition

24 Colour Screenprint on Somerset Tub Sized White 410gsm. Produced by Counter Studio. Hand-signed by artist, Signed, titled and numbered by the artist. // A pale silver-grey graph-paper field carries fifty soft-edged little ghosts in five rows of ten, each square outlined faintly and tinted in pastel — cream, pale yellow, mint, peach, pearl-grey, blush. They feel like the cast interiors of small intimate objects, set out in pure inventory. Twenty-four-colour screenprint on Somerset Tub Sized White 410gsm, produced by Counter Studio, hand-signed, titled and numbered. Whiteread's celebrated negative-space sculpture distilled to its purest possible print — a focused, contemplative piece to acquire.

Artwork Copyright © Rachel Whiteread

Rachel Whiteread

50 Spaces, 2021

Limited Edition Print

Screen-print

GBP 5,000 - 6,500

Rachel Whiteread

Mike And The Modelmakers, 2008

Sculpture / Object

Object

EUR 1,300

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What is new British Sculpture?

New British Sculpture is the name referring to the work produced by a group of sculptors, installation artists, and other creators who exhibited together in London during the 1980s. This group included artists like Richard Deacon, Richard Wentworth, and Tony Cragg. Tim Woods helped define this movement by identifying four major themes: the blending of kitsch and pop culture, the use of UK urban waste in a bricolage style, the assignment of new meanings to everyday objects, and a playful approach using wit and humor.

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