



Details
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Etching on Arches vellum paper. Signed “Soulages” lower right. Published by The New Engraving, Paris. Printed by Lacourière-Frélaut, Paris. Bibliography: Mentioned in Soulages – The Printed Work , 2022, No. 34. Eau-forte XXXII by Pierre Soulages, created in 1974, is an etching that encapsulates the artist’s commitment to abstraction and the interplay of form and void. Printed on Arches vellum paper and measuring 36 x 60 cm, the work features a massive black form articulated with textural depth and dynamic geometry. The bold shape—cut through by sharp angular voids—suggests both monumentality and movement. Soulages, often called the "painter of black," exploits the print medium’s potential for contrast and density. Published by The New Engraving and printed by Lacourière-Frélaut, the edition is limited to 100 signed and numbered copies.
Eau-forte XXXII, 1974
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36 x 60 cm
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Details
Artist
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Etching on Arches vellum paper. Signed “Soulages” lower right. Published by The New Engraving, Paris. Printed by Lacourière-Frélaut, Paris. Bibliography: Mentioned in Soulages – The Printed Work , 2022, No. 34. Eau-forte XXXII by Pierre Soulages, created in 1974, is an etching that encapsulates the artist’s commitment to abstraction and the interplay of form and void. Printed on Arches vellum paper and measuring 36 x 60 cm, the work features a massive black form articulated with textural depth and dynamic geometry. The bold shape—cut through by sharp angular voids—suggests both monumentality and movement. Soulages, often called the "painter of black," exploits the print medium’s potential for contrast and density. Published by The New Engraving and printed by Lacourière-Frélaut, the edition is limited to 100 signed and numbered copies.
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.