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Etching and aquatint on BFK Rives paper, signed and numbered. - Printed and published by Lacourrière, Paris. - Bibliography: Pierre Encrevé, Soulages l’œuvre imprimé, Bibliothèque Nationale de France (BNF), Paris, 2003. This work is reproduced as No. 9. // Pierre Soulages’ Eau-forte IX (1957) exemplifies his mastery of texture and abstraction. This etching and aquatint on BFK Rives paper features bold black and earthy red forms arranged in a dynamic, interlocking composition. The dense, textured marks and layered surfaces create a striking interplay of light and shadow, embodying Soulages’ exploration of "noir-lumière" (black light). Printed and published by Lacourrière in Paris, the work is part of a limited edition of 100, each signed and numbered by the artist. Measuring 65.5 x 50 cm, this piece demonstrates Soulages’ iconic approach to pushing the boundaries of traditional printmaking techniques.
Eau-Forte IX, 1957
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65.5 x 50 cm
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Details
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Etching and aquatint on BFK Rives paper, signed and numbered. - Printed and published by Lacourrière, Paris. - Bibliography: Pierre Encrevé, Soulages l’œuvre imprimé, Bibliothèque Nationale de France (BNF), Paris, 2003. This work is reproduced as No. 9. // Pierre Soulages’ Eau-forte IX (1957) exemplifies his mastery of texture and abstraction. This etching and aquatint on BFK Rives paper features bold black and earthy red forms arranged in a dynamic, interlocking composition. The dense, textured marks and layered surfaces create a striking interplay of light and shadow, embodying Soulages’ exploration of "noir-lumière" (black light). Printed and published by Lacourrière in Paris, the work is part of a limited edition of 100, each signed and numbered by the artist. Measuring 65.5 x 50 cm, this piece demonstrates Soulages’ iconic approach to pushing the boundaries of traditional printmaking techniques.
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What is lyrical abstraction ?
Lyrical abstraction is a descriptive term characterizing a type of abstract painting closely related to Abstract Expressionism, in use from the 1940s to the present. The term can also describe two distinct but related trends in post-World War II modernist painting. This art movement originated in Paris, France, after the war, emphasizing personal expression, spontaneity, and the emotional use of color and form.